The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 166
Robert Hazen Hopkins. FORTUNE AND THE HEAVENLY BANK : THE VICAR OF WAKEFIELD AS SUSTAINED SATIRE Gening ор survey ( to to P 172 ) A survey of interpretations of The Vicar of Wakefield from 1766 to the present will reveal that we have in ...
Robert Hazen Hopkins. FORTUNE AND THE HEAVENLY BANK : THE VICAR OF WAKEFIELD AS SUSTAINED SATIRE Gening ор survey ( to to P 172 ) A survey of interpretations of The Vicar of Wakefield from 1766 to the present will reveal that we have in ...
Pagina 172
... Vicar of Wakefield must operate himoof is on the premise that by 1762 Goldsmith was a mature wedded to These new y crtical ideas of formal Purity creative artist not apt to be guilty of the artistic flaws that critics usually associate ...
... Vicar of Wakefield must operate himoof is on the premise that by 1762 Goldsmith was a mature wedded to These new y crtical ideas of formal Purity creative artist not apt to be guilty of the artistic flaws that critics usually associate ...
Pagina 199
Robert Hazen Hopkins. The Vicar of Wakefield as Burlesque The narrative structure of The Vicar of Wakefield is what has been criticized most often . We have already read the critic who objected to Goldsmith's bringing the “ con- cluding ...
Robert Hazen Hopkins. The Vicar of Wakefield as Burlesque The narrative structure of The Vicar of Wakefield is what has been criticized most often . We have already read the critic who objected to Goldsmith's bringing the “ con- cluding ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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