The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 61
... direct assertions wherever possible , saving them for major emphasis , or that he surrounds such assertions with concessive qualifi- cations . Goldsmith prefers in place of the outright asser- tion or direct imperative the use of the ...
... direct assertions wherever possible , saving them for major emphasis , or that he surrounds such assertions with concessive qualifi- cations . Goldsmith prefers in place of the outright asser- tion or direct imperative the use of the ...
Pagina 76
... direct , plain diction of Words- worth and the " gradus epithet " of Pope.49 The use of the archaic vocative " Ye " with such stock epithets as “ bend- ing swains " and " flow'ry vale " would appear to bear out Dobson's contention . In ...
... direct , plain diction of Words- worth and the " gradus epithet " of Pope.49 The use of the archaic vocative " Ye " with such stock epithets as “ bend- ing swains " and " flow'ry vale " would appear to bear out Dobson's contention . In ...
Pagina 118
... direct exposition , this thesis sentence is easily skimmed over ; and the reader may fail to ponder whether indifference be a true measure of intrepidity or merely a measure of dull insensibility . In short , the reader may fail to ...
... direct exposition , this thesis sentence is easily skimmed over ; and the reader may fail to ponder whether indifference be a true measure of intrepidity or merely a measure of dull insensibility . In short , the reader may fail to ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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