The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 53
Robert Hazen Hopkins. unseen . narrator of the essay has apparently just completed a read- ing of an epigram by Martial , the last line of which sets the mood for the essay : " He truly sorrows who sorrows . " 14 He is then still ...
Robert Hazen Hopkins. unseen . narrator of the essay has apparently just completed a read- ing of an epigram by Martial , the last line of which sets the mood for the essay : " He truly sorrows who sorrows . " 14 He is then still ...
Pagina 123
... essay in the way that Goldsmith intended . The editors of one short story anthology con- taining Goldsmith's essay equate the author's point of view with Altangi's : " In a traditional tale like Goldsmith's , the narrator provided a ...
... essay in the way that Goldsmith intended . The editors of one short story anthology con- taining Goldsmith's essay equate the author's point of view with Altangi's : " In a traditional tale like Goldsmith's , the narrator provided a ...
Pagina 127
... essay is a translation from an essay by Justus Van Effen , the very fact that Goldsmith translated it and later reprinted it in a collection of his essays in 1765 indicates how strongly the essential theme appealed to him : " The ...
... essay is a translation from an essay by Justus Van Effen , the very fact that Goldsmith translated it and later reprinted it in a collection of his essays in 1765 indicates how strongly the essential theme appealed to him : " The ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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