The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 140
... function in the very works that supposedly represent amiable humor . It is the crux of the critical problem involved in the interpretation of Sir Roger de Coverley . Because the Spectator had promised to avoid " party " from its very be ...
... function in the very works that supposedly represent amiable humor . It is the crux of the critical problem involved in the interpretation of Sir Roger de Coverley . Because the Spectator had promised to avoid " party " from its very be ...
Pagina 192
... function so clearly drawn as in Moses . In the past Moses has been singled out as the most flagrant example of Goldsmith's inconsistency in the delin- eation of character : " There are also inconsistencies of characterization . Moses at ...
... function so clearly drawn as in Moses . In the past Moses has been singled out as the most flagrant example of Goldsmith's inconsistency in the delin- eation of character : " There are also inconsistencies of characterization . Moses at ...
Pagina 228
... function of the novel as an art form , the deal- ing " with reality and illusion in relation to questions of social class , which in relatively recent times are bound up with money . " " 64 What Goldsmith was doing in The Vicar preceded ...
... function of the novel as an art form , the deal- ing " with reality and illusion in relation to questions of social class , which in relatively recent times are bound up with money . " " 64 What Goldsmith was doing in The Vicar preceded ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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