The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 74
... happiness presented in the poem in which there is no real excess . By its position in the poem the second verse paragraph presents an ideal embodiment of happiness by which the reader can evaluate other states of happiness . The next ...
... happiness presented in the poem in which there is no real excess . By its position in the poem the second verse paragraph presents an ideal embodiment of happiness by which the reader can evaluate other states of happiness . The next ...
Pagina 91
... happiness centers around the head of a family , who is analogous to a king . The social bonds of love , duty , and honor supply the cohesive force both on the national and on the domestic levels of happiness . When cohesion ceases on a ...
... happiness centers around the head of a family , who is analogous to a king . The social bonds of love , duty , and honor supply the cohesive force both on the national and on the domestic levels of happiness . When cohesion ceases on a ...
Pagina 94
... happiness as virtue practiced by a saddened individual is a more tough - minded attitude than many of our modern solutions predicated on trite concepts of happiness . Howard Mumford Jones has de- fended this eighteenth - century ...
... happiness as virtue practiced by a saddened individual is a more tough - minded attitude than many of our modern solutions predicated on trite concepts of happiness . Howard Mumford Jones has de- fended this eighteenth - century ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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