The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 73
... patterns in the poem are unconsciously associated with the semantic verbal pattern dealing with the theme of happiness . This technique , too , is poetic rather than rhetorical and con- tributes to the poetical coherence of The ...
... patterns in the poem are unconsciously associated with the semantic verbal pattern dealing with the theme of happiness . This technique , too , is poetic rather than rhetorical and con- tributes to the poetical coherence of The ...
Pagina 81
... pattern of the p's in lines 141-47 reveals Goldsmith's minute attention to texture . The pattern begun by " plethoric " in line 140 falls on key nouns pejorative in their context : Yet , though to fortune lost , here still abide Some ...
... pattern of the p's in lines 141-47 reveals Goldsmith's minute attention to texture . The pattern begun by " plethoric " in line 140 falls on key nouns pejorative in their context : Yet , though to fortune lost , here still abide Some ...
Pagina 82
... pattern undercuts the honorific or neutral quality of parallel words at the end of the pattern : " Processions " and " piety ” are made to ap- pear the opposite of what they mean in their normal con- text . The narrator's examination of ...
... pattern undercuts the honorific or neutral quality of parallel words at the end of the pattern : " Processions " and " piety ” are made to ap- pear the opposite of what they mean in their normal con- text . The narrator's examination of ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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