The True Genius of Oliver GoldsmithJohns Hopkins Press, 1969 - 241 pagina's |
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Pagina 95
... sentimental , more often than not he is work- ing in a craft of persuasion . If we use sentimental to mean a falsified appeal to sentiment and not to apply to a con- fusion between Goldsmith and his personae , and if we then object on ...
... sentimental , more often than not he is work- ing in a craft of persuasion . If we use sentimental to mean a falsified appeal to sentiment and not to apply to a con- fusion between Goldsmith and his personae , and if we then object on ...
Pagina 128
... sentimental hero not to be admired but rather to be ridiculed . Heilman recognizes the similarity between “ On ... sentimental or fall short of his intention to use the materials of sentimental plays for the sake of ridiculing them ...
... sentimental hero not to be admired but rather to be ridiculed . Heilman recognizes the similarity between “ On ... sentimental or fall short of his intention to use the materials of sentimental plays for the sake of ridiculing them ...
Pagina 205
... sentimental situation side by side with a comical situation so as to have it both ways . Rather , it is no exaggeration to assert that every seemingly sentimental situation in The Vicar is ironically undermined by one device or another ...
... sentimental situation side by side with a comical situation so as to have it both ways . Rather , it is no exaggeration to assert that every seemingly sentimental situation in The Vicar is ironically undermined by one device or another ...
Inhoudsopgave
Introduction | 1 |
Augustanisms and the Moral Basis for | 21 |
The Craft of Persuasion | 40 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Altangi appears artistic attack attitude Augustan beauty become benevolence Black called century Chapter character Citizen comic considered critics culture direct edition effect eighteenth-century English Enquiry essay fail followed force fortune function give Gold Goldsmith hand happiness History human important interpretation ironic irony italics Italy John Johnson later learning Letter literary literature London look manner material mean merely mind moral narrator Nash nature never novel object observed once original paragraph passage pattern pleasure poem poetry point of view political poor Pope praise present Primrose Primrose's prose reader reason recognize refers reflect rhetoric satire seems sense sentence sentimental smith social story structure style suggest Swift taste theory thesis tion traditional Traveller turn understand verse Vicar of Wakefield virtue vols writing
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