 | Samuel Taylor Coleridge - 1816 - 82 pagina’s
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | 1816 - 592 pagina’s
...of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...expressions, without any sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained... | |
 | 1816 - 676 pagina’s
...two to three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to... | |
 | Samuel Taylor Coleridge - 1828 - 374 pagina’s
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Samuel Taylor Coleridge - 1829 - 400 pagina’s
...lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking... | |
 | 1829 - 558 pagina’s
...composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of... | |
 | Robert Macnish - 1834 - 362 pagina’s
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole: and, taking... | |
 | Robert Macnish - 1834 - 310 pagina’s
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking... | |
 | Samuel Taylor Coleridge - 1835 - 320 pagina’s
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection... | |
 | 1837 - 1032 pagina’s
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many... | |
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The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines ; . if that indeed can be called... 
