A Hitchcock ReaderMarshall Deutelbaum, Leland Poague John Wiley & Sons, 24 feb 2009 - 424 pagina's This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years.
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Inhoudsopgave
Taking Hitchcock Seriously | 1 |
Hitch and His Public | 17 |
Hitchcocks Imagery and Art | 25 |
Retrospective | 35 |
Hitchcock and TwentiethCentury Cinema | 47 |
Hitchcock in Britain | 69 |
Hitchcocks The Lodger | 75 |
Rereading Blackmail | 85 |
Reflexivity and the Critique of Voyeurism | 199 |
Finding the Right Man in The Wrong Man | 212 |
The Essential Hitchcock | 223 |
Mulvey Hitchcock and Vertigo | 234 |
North by Northwest | 250 |
The Birds and the Culmination of Hitchcocks | 264 |
Marks Marnie | 280 |
The Queer Voice in Marnie | 295 |
Theater Authorship and the Presence of | 96 |
The Man Who Knew Too Much | 107 |
Sexuality and Memory in The 39 Steps | 114 |
Feminism Hitchcock | 126 |
Perversion par Excellence | 164 |
Strangers on a Train | 172 |
The Later Films | 183 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
39 Steps Alfred Hitchcock Alicia artistic audience Balestrero becomes Bellour Birds Blackmail Bruno camera Cary Grant Cavell characters cinema cited close-up criticism death desire Devlin director essay eyes Fane Fane's fear female feminist fetish fiction figure film theory film's final François Truffaut Frenzy Freud gaze guilt Hannay hero heterosexual Hitchcock Annual Hitchcock's films Hitchcockian Hollywood identification identity Janet Leigh Jefferies Lady Vanishes lesbian Lodger look MacGuffin Madeleine male Marion Mark Marnie Marnie's marriage Melanie Miss Froy Modleski mother Mulvey Mulvey's murder narrative Norman Norman Bates North by Northwest object Oedipal Pamela play pleasure police Press Psycho question reading Rear Window relationship Robin Wood Rothman scene scopophilia Scottie screen sense sequence sexual Shadow shot signifier Sir John social spectator Stewart story suggests theme theory Thorwald tion Truffaut Uncle Charlie Univ Vertigo viewer vision visual voyeurism woman women York