blank verse of recognized poetic measure. He has a style peculiar to himself, and his writings are full of meaning, beauty and interest. Of his productions, Underwood says: "Pupils who are accustomed to associate the idea of poetry with regular classic measure in rhyme, or in ten-syllabled or elastic hexameters, will commence these short and simple prose sentences with surprise, and will wonder how any number of them can form a poem. But let them read aloud with a mind in sympathy with the picture as it is displayed, and they will find by nature's unmistakable responses, that the author is a poet, and possesses the poet's uncommunicable power to touch the heart The Two Mysteries. In the middle of the room, in its white coffin, lay the dead child, a nephew of the poet. Near it, in a great chair, sat Walt Whitman, surrounded by little ones, and holding a beautiful little girl on his lap. The child looked curiously at the spectacle of death and then inquiringly into. the old man's face. "You don't know what it is, do you, my dear?" said "We don't, either." he, adding, W E know not what it is, dear, this sleep so deep and still The folded hands, the awful calm, the cheek so pale and chill; The lids that will not lift again, though we may call and call; The strange, white solitude of peace that settles over all. We know not what it means, dear, this desolate heart-pain; But this we know: Our loved and dead, if they should come this day Should come and ask us, "What is life?" not one of us could say. Life is a mystery as deep as ever death can be; Yet oh, how sweet it is to us, this life we live and see! Then might they say these vanished ones-and blessed is the thought! "So death is sweet to us, beloved! though we may tell ye naught; We may not tell it to the quick-this mystery of death Ye may not tell us, if ye would, the mystery of breath." The child who enters life comes not with knowledge or intent The Model Church. ELL, wife, I've found the model church! I worshiped there to-day; It made me think of good old times, before my hairs were gray. The sexton didn't seat me 'way back by the door; He knew that I was old and deaf, as well as old and poor. I wish you'd heard the singin'-it had the old-time ring- My deafness seemed to melt away, my spirit caught the fire, I tell you, wife, it did me good to sing that hymn once more, The preachin'! well, I can't just tell all that the preacher said; I know it wasn't written, I know it wasn't read; He hadn't time to read, for the lightnin' of his eye Went passing 'long from pew to pew, nor passed a sinner by. The sermon wasn't flowery, 'twas simple Gospel truth, The preacher made sin hideous in Gentiles and in Jews; friend, When congregations ne'er break up and Sabbaths have no end. I hope to meet that minister, the congregation, too, In the dear home beyond the skies, that shines from heaven's blue, I doubt not I'll remember, beyond life's evening gray, Dear wife, the fight will soon be fought, the victory be won, Old Times and New. WAS in my easy chair at home, I sat and puffed my light cigar, I mused upon the Pilgrim flock, Upon almost the only Rock In my mind's eye, I saw them leave Before them spread the wintry wilds, Alone that noble handful stood While savage foes lurked nigh Their creed and watchword, "Trust in God. And keep your powder dry." Imagination's pencil then That first stern winter painted, When more than half their number died, And stoutest spirits fainted. |