In Search of "Kynde Knowynge": Piers Plowman and the Origin of AllegoryRodopi, 2007 - 257 pagina's Readers today no longer relish sustained allegorical narratives the way they did in the Middle Ages, when the art of 'other-speaking' was as dominant in poetic discourse as it was elsewhere. Yet we live in an age which, following the postmodernist dictum that any sign can only refer to other signs, has declared all language liable to the 'allegorical condition'. This paradox has led the author to question the epistemological assumptions underlying allegories composed in an era which, conversely, favoured the oblique form of expression while professing its belief in the divine Logos as the ultimate ground of all meaning. If art and doctrine appear so divided on the subject of allegory in our own day, then might not the relationship between allegorical writing and interpretation in the Middle Ages have been more complex than is often assumed? How solid are the grounds on which Michel Foucault has based his distinction between early modernity and its past - a time when, he claims, the languages of the world were still perceived to make up "the image of the truth"? The present study addresses these and related questions through a heuristic comparison between historically and culturally different approaches to narrative allegory. In her analysis of the late-fourteenth century dream poem Piers Plowman by William Langland, Kasten sets up a critical dialogue between this extraordinary work and Walter Benjamin's study of German baroque allegory, The Origin of German Tragic Drama. Far from serving the narrow purposes of didacticism, she contends, Piers Plowman invites a reconsideration of the very grounds on which (post-) modernity has tried to distance itself from its cultural past. Madeleine Kasten is a lecturer at the Literary Studies Department of Leiden University, The Netherlands. She has published on allegory, on Shakespeare, and on personification and performance. |
Inhoudsopgave
9 | |
23 | |
Life of a Text | 97 |
3 | 105 |
Piers Plowman The Second Dream | 127 |
Piers Plowman The Fourth and Fifth Dreams | 165 |
Piers Plowman The Sixth Seventh and Eighth Dreams | 191 |
The Will to Kynde Knowynge | 221 |
A Summary of the B Version | 229 |
235 | |
251 | |
Overige edities - Alles bekijken
In Search of 'Kynde Knowynge': Piers Plowman and the Origin of Allegory Madeleine J.A. Kasten Gedeeltelijke weergave - 2007 |
In Search of "Kynde Knowynge": Piers Plowman and the Origin of Allegory Madeleine Kasten Geen voorbeeld beschikbaar - 2007 |
Veelvoorkomende woorden en zinsdelen
Aers allegoresis allegorical dynamics allegorical sign analysis Anima apocalypse appears Augustine authority baroque Benjamin biblical Chapter character characterizes Christ Christian claims commentary conception Conscience context convention critical dialectic discourse discussion divine Dobest doctrine Dowel dream allegory dream poem dreamer expression faith fifth dream figure focalization follows fourth dream genre God's grace Harrowing of Hell human internal reading interpretation kynde knowynge Langland's language later linguistic literary Lollardy Macrobius man’s meaning medieval medieval allegory metaphorical metonymy Middle Ages Middle English mystery play narrative allegory Narratology narrator nature noted Nun's Priest's Tale observation OGTD origin pardon passage Passus personification picture model Piers Plowman Piers's pilgrim pilgrimage ploughing ploughman poem's poetic polysemy present Psalm 14 quest question Quilligan quotation reader relationship rhetorical salvation scene scriptural Section sense signifier spiritual structure symbol temporal theory tradition translation Trauerspiel tropological Truth vision Walter Benjamin Will's words
Populaire passages
Pagina 23 - As she is famed to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hillside; and now 'tis buried deep In the next valley-glades : Was it a vision, or a waking dream ? Fled is that music : — Do I wake or sleep ? ODE ON A GRECIAN URN THOU still unravished bride of quietness!
Pagina 26 - How is it then, brethren ? when ye come together, every one of you hath a psalm, hath a doctrine, hath a tongue, hath a revelation, hath an interpretation. Let all things be done unto edifying.
Pagina 25 - Hear my words: if there be among you a prophet of the Lord, I will appear to him in a vision, or I will speak to him in a dream.