Style and Meaning: Studies in the Detailed Analysis of FilmJohn Gibbs, Douglas Pye Manchester University Press, 6 aug 2005 - 250 pagina's Approaches to the detailed analysis of film and related questions about interpretations and value are once again being widely debated in film studies. Style and meaning is the first edited collection for many years to focus on these matters. The essays - which include contributions by established film scholars (such as George M. Wilson, V. F. Perkins and Laura Mulvey) and by younger writers in the field - centre on methods of close analysis and ground their discussion in the detail of individual films. |
Inhoudsopgave
Where is the world? The horizon of events in movie | 16 |
Badlands Terence Malick 1973 | 42 |
interpreting the long take | 68 |
space point of view and performance | 85 |
Narration point of view and patterns in the soundtrack | 98 |
Meaning and value in The Jazz Singer Alan Crosland 1927 | 127 |
Liebestraum Mike Figgis 1991 | 141 |
form and meaning in an avantgarde film | 155 |
framebreaking embarrassment | 167 |
style mood | 179 |
How cinematography creates meaning in Happy Together | 195 |
Notes on teaching film style Andrew Klevan | 214 |
textual analysis and Douglas Sirk | 228 |
Index | 244 |
Overige edities - Alles bekijken
Style and Meaning: Studies in the Detailed Analysis of Film John Gibbs,Douglas Pye Geen voorbeeld beschikbaar - 2005 |
Style and Meaning: Studies in the Detailed Analysis of Film John Gibbs,Douglas Pye Geen voorbeeld beschikbaar - 2005 |