Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 11
... Hearth and Home ( Plate 33 ) and The Robing of the Bride ( Plate 34 ) are good examples . Both paintings possess a dreamlike clarity ; yet where in earlier paintings the combina- tion of rationally unrelated objects was aimed at ...
... Hearth and Home ( Plate 33 ) and The Robing of the Bride ( Plate 34 ) are good examples . Both paintings possess a dreamlike clarity ; yet where in earlier paintings the combina- tion of rationally unrelated objects was aimed at ...
Pagina 13
... Hearth and Home ( Plate 33 ) . Animal , vegetable and mineral forms simultaneously emerge from and sink back into the substance of the paint . The Temptation of St Antony ( Plate 39 ) exhibits more brushwork than other paintings in the ...
... Hearth and Home ( Plate 33 ) . Animal , vegetable and mineral forms simultaneously emerge from and sink back into the substance of the paint . The Temptation of St Antony ( Plate 39 ) exhibits more brushwork than other paintings in the ...
Pagina 16
... Hearth and Home . 1937. Oil on canvas , 114 × 146 cm . Paris , private collec- tion . 34. The Robing of the Bride . 1939. Oil on canvas , 130 x 96 cm . Venice , collection of Peggy Guggenheim . 35. Napoleon in the Wilderness . 1941. Oil ...
... Hearth and Home . 1937. Oil on canvas , 114 × 146 cm . Paris , private collec- tion . 34. The Robing of the Bride . 1939. Oil on canvas , 130 x 96 cm . Venice , collection of Peggy Guggenheim . 35. Napoleon in the Wilderness . 1941. Oil ...