Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 9
... Miró , Picasso's monumental groups of the 1920s , and the conflicting . perspectives of de Chirico . This reference to the work of other painters also provides a clue to the sand - textured surface of One Night of Love , which contrasts ...
... Miró , Picasso's monumental groups of the 1920s , and the conflicting . perspectives of de Chirico . This reference to the work of other painters also provides a clue to the sand - textured surface of One Night of Love , which contrasts ...
Pagina 10
... Miró , as well as Ernst himself , suffered a failing inventiveness . The deepening gloom apparent in much Surrealist painting of the 1930s mirrored the worsening political and economic situation in Europe , although ( reflecting ...
... Miró , as well as Ernst himself , suffered a failing inventiveness . The deepening gloom apparent in much Surrealist painting of the 1930s mirrored the worsening political and economic situation in Europe , although ( reflecting ...
Pagina 11
... Miró , in 1926 , for designing sets for a Diaghilev ballet . In the Garden Aeroplane - Trap series ( Plate 30 ) poisonous plants lurk within a series of walled areas to trap and destroy passing planes . Ernst owned a nineteenth ...
... Miró , in 1926 , for designing sets for a Diaghilev ballet . In the Garden Aeroplane - Trap series ( Plate 30 ) poisonous plants lurk within a series of walled areas to trap and destroy passing planes . Ernst owned a nineteenth ...