Max ErnstPhaidon, 1979 - 16 pagina's |
Vanuit het boek
Resultaten 1-3 van 3
Pagina 4
... assumed important ' anti - art ' connotations for the Dadaists , who made various uses of it , from the overtly political ( photomontage in Berlin ) , to the essentially formal ( Schwitters's Merz collages in Hanover ) . Ernst 4.
... assumed important ' anti - art ' connotations for the Dadaists , who made various uses of it , from the overtly political ( photomontage in Berlin ) , to the essentially formal ( Schwitters's Merz collages in Hanover ) . Ernst 4.
Pagina 5
Max Ernst, Ian Turpin. formal ( Schwitters's Merz collages in Hanover ) . Ernst lay somewhere between these two extremes . He regarded collage initially as a method of exploring the possibilities of representation outside the limitations ...
Max Ernst, Ian Turpin. formal ( Schwitters's Merz collages in Hanover ) . Ernst lay somewhere between these two extremes . He regarded collage initially as a method of exploring the possibilities of representation outside the limitations ...
Pagina 13
... Schwitters , was more a Dada protest against the traditional materials of paint and canvas than a real attempt to move out of two dimensions . Ernst's interest in sculpture was stimulated by a visit he made to Switzerland in the summer ...
... Schwitters , was more a Dada protest against the traditional materials of paint and canvas than a real attempt to move out of two dimensions . Ernst's interest in sculpture was stimulated by a visit he made to Switzerland in the summer ...