Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 3
... artistic creation . The first point to note about Ernst's work is its enormous variety . Standing at the opposite pole to a painter ( and fellow - Surrealist ) like Magritte , who , with minor exceptions , never deviated from his mature ...
... artistic creation . The first point to note about Ernst's work is its enormous variety . Standing at the opposite pole to a painter ( and fellow - Surrealist ) like Magritte , who , with minor exceptions , never deviated from his mature ...
Pagina 4
... artistic processes . This accounts for the relatedness of method , style and subject- matter across the wide spectrum of his œuvre . Ernst's beginnings as an artist were marked by wide - ranging experiments in the field of modern ...
... artistic processes . This accounts for the relatedness of method , style and subject- matter across the wide spectrum of his œuvre . Ernst's beginnings as an artist were marked by wide - ranging experiments in the field of modern ...
Pagina 5
... artistic bias of its activities . Although both exhibitions were more in the nature of Dada provocations than traditional art shows ( at one , visitors were invited to destroy the exhibits with an axe , which was provided for the ...
... artistic bias of its activities . Although both exhibitions were more in the nature of Dada provocations than traditional art shows ( at one , visitors were invited to destroy the exhibits with an axe , which was provided for the ...