Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 8
... canvas which was draped over objects and surfaces . The resulting textures were partially elaborated with a brush amongst the several layers of the painted surface which were revealed . The adaptation of frottage to oil - paint is well ...
... canvas which was draped over objects and surfaces . The resulting textures were partially elaborated with a brush amongst the several layers of the painted surface which were revealed . The adaptation of frottage to oil - paint is well ...
Pagina 13
... canvas laid horizontally on the floor . It was , how- ever , used for only a few paintings ( Plate 42 ) , which suggests that Ernst found it insufficiently flexible for his expressive needs . The increasing importance of sculptural ...
... canvas laid horizontally on the floor . It was , how- ever , used for only a few paintings ( Plate 42 ) , which suggests that Ernst found it insufficiently flexible for his expressive needs . The increasing importance of sculptural ...
Pagina 16
... canvas , 125 × 107 cm . London , Tate Gallery . 7. Pietà , or Revolution by Night . 1923. Oil on canvas , 116 x 89 cm . Turin , private collec- tion . 8. Oedipus Rex . 1922. Oil on canvas , 93 × 102 cm . Paris , private collection . 9 ...
... canvas , 125 × 107 cm . London , Tate Gallery . 7. Pietà , or Revolution by Night . 1923. Oil on canvas , 116 x 89 cm . Turin , private collec- tion . 8. Oedipus Rex . 1922. Oil on canvas , 93 × 102 cm . Paris , private collection . 9 ...