Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 4
... colour and vigorous brushwork . In 1911 , just over a year after he entered Bonn University , where , largely to please his father , he had enrolled to read philo- sophy and psychology , Ernst met the Expressionist painter August Macke ...
... colour and vigorous brushwork . In 1911 , just over a year after he entered Bonn University , where , largely to please his father , he had enrolled to read philo- sophy and psychology , Ernst met the Expressionist painter August Macke ...
Pagina 5
... colour , or ' a landscape foreign to the represented objects ' . These collages were not only or essentially anti - art gestures . Their dreamlike appearance also suggested the possibility of attacking contemporary values in general ...
... colour , or ' a landscape foreign to the represented objects ' . These collages were not only or essentially anti - art gestures . Their dreamlike appearance also suggested the possibility of attacking contemporary values in general ...
Pagina 14
... colour and form in French painting , which emerged fully in such pictures as The World of the Naïve ( Plate 47 ) and The Marriage of Heaven and Earth ( Plate 48 ) . This new interest in light and colour sustained him after the effective ...
... colour and form in French painting , which emerged fully in such pictures as The World of the Naïve ( Plate 47 ) and The Marriage of Heaven and Earth ( Plate 48 ) . This new interest in light and colour sustained him after the effective ...