Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 8
... creates an unsettling scene which leads us to question how much of what we see is really there , outside us , and how much we create for ourselves . Ernst's approach to the tradition of forest painting in Germany reflected the influence ...
... creates an unsettling scene which leads us to question how much of what we see is really there , outside us , and how much we create for ourselves . Ernst's approach to the tradition of forest painting in Germany reflected the influence ...
Pagina 12
... creates an atmosphere of disjointedness , as in dreams , and relates the painting to the collage process of odd combinations . In other paintings of the series ( for example , Plate 36 ) the clash is less acute because the decalcomania ...
... creates an atmosphere of disjointedness , as in dreams , and relates the painting to the collage process of odd combinations . In other paintings of the series ( for example , Plate 36 ) the clash is less acute because the decalcomania ...
Pagina 13
... create strange creatures whose humour contrasts with the darker aspects of his contemporary paintings . Pieces such as Head - Bird ( Plate 40 ) reflect an awareness of primitive art more than of modern sculpture . Indeed , Ernst's ...
... create strange creatures whose humour contrasts with the darker aspects of his contemporary paintings . Pieces such as Head - Bird ( Plate 40 ) reflect an awareness of primitive art more than of modern sculpture . Indeed , Ernst's ...