Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 8
... form a grid reminiscent of those resulting from the disintegration of the visible world in Analytic Cubism . The Forest ... forms , which , with the exception of the bird in the male's hands , are the same colour as the surface on which ...
... form a grid reminiscent of those resulting from the disintegration of the visible world in Analytic Cubism . The Forest ... forms , which , with the exception of the bird in the male's hands , are the same colour as the surface on which ...
Pagina 9
... forms reminiscent of flowers and shells , created by the grattage process , are set off against flatly painted backgrounds , some of which , as here , are given a spatial dimension through the use of different coloured areas . The bird ...
... forms reminiscent of flowers and shells , created by the grattage process , are set off against flatly painted backgrounds , some of which , as here , are given a spatial dimension through the use of different coloured areas . The bird ...
Pagina 13
... forms simultaneously emerge from and sink back into the substance of the paint . The Temptation of St Antony ( Plate 39 ) exhibits more brushwork than other paintings in the series , and harks back more directly to the jungle pictures ...
... forms simultaneously emerge from and sink back into the substance of the paint . The Temptation of St Antony ( Plate 39 ) exhibits more brushwork than other paintings in the series , and harks back more directly to the jungle pictures ...