Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 7
... frottage . As Ernst described it , the deeply indented grooves of a wooden floor which he was examining one day reminded him of a childhood memory of false mahogany panelling , which had , at the time , brought to mind associations of ...
... frottage . As Ernst described it , the deeply indented grooves of a wooden floor which he was examining one day reminded him of a childhood memory of false mahogany panelling , which had , at the time , brought to mind associations of ...
Pagina 8
... frottage to oil - paint is well illustrated in Two Sisters ( Plate 20 ) , where Ernst not only stuck fairly close to the sources of the textures , and even imitated with black paint the effect of pencil frottage , but also echoed the ...
... frottage to oil - paint is well illustrated in Two Sisters ( Plate 20 ) , where Ernst not only stuck fairly close to the sources of the textures , and even imitated with black paint the effect of pencil frottage , but also echoed the ...
Pagina 14
... frottage , his art had responded to treatment in terms of light and dark . Ernst continued to paint , largely in this light - hearted manner , but with occasional reversions ( of a semi - serious nature ) back to styles and methods of ...
... frottage , his art had responded to treatment in terms of light and dark . Ernst continued to paint , largely in this light - hearted manner , but with occasional reversions ( of a semi - serious nature ) back to styles and methods of ...