Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 3
... hand . Rather , he saw his art as the process whereby both dreams and auto- matism are investigated , as well as the visible result of such investigations . In other words , it was not only a question of exploring the contents of the ...
... hand . Rather , he saw his art as the process whereby both dreams and auto- matism are investigated , as well as the visible result of such investigations . In other words , it was not only a question of exploring the contents of the ...
Pagina 6
... hand , which emerges through a window clutching a walnut , contradicts that of the birds ' heads , which appear curiously flat in comparison . The contradictory viewpoints from which the birds ' heads and the enclosing fence are seen ...
... hand , which emerges through a window clutching a walnut , contradicts that of the birds ' heads , which appear curiously flat in comparison . The contradictory viewpoints from which the birds ' heads and the enclosing fence are seen ...
Pagina 13
... hand corner of Vox Angelica contains a passage in which Ernst referred to the last technical innovation of his career . ' Oscillation ' , as this method was known , was an automatic technique in which liquid paint was dripped from a ...
... hand corner of Vox Angelica contains a passage in which Ernst referred to the last technical innovation of his career . ' Oscillation ' , as this method was known , was an automatic technique in which liquid paint was dripped from a ...