Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 7
... material studied - wood - and assume the aspect of unbelievably clear images of a kind able to reveal the first cause of the obsession . ' Thirty - four frottages were published in Paris in 1926 , under the title Histoire naturelle ...
... material studied - wood - and assume the aspect of unbelievably clear images of a kind able to reveal the first cause of the obsession . ' Thirty - four frottages were published in Paris in 1926 , under the title Histoire naturelle ...
Pagina 10
... material ; they also represented an attitude whose satirization is Ernst's real theme . Taking as his point of departure Breton's attack on the nineteenth - century novel as an example of the despised ' realistic attitude ' , with its ...
... material ; they also represented an attitude whose satirization is Ernst's real theme . Taking as his point of departure Breton's attack on the nineteenth - century novel as an example of the despised ' realistic attitude ' , with its ...
Pagina 13
... materials of paint and canvas than a real attempt to move out of two dimensions . Ernst's interest in sculpture was stimulated by a visit he made to Switzerland in the summer of 1934 , where he stayed with the sculptor Giacometti ...
... materials of paint and canvas than a real attempt to move out of two dimensions . Ernst's interest in sculpture was stimulated by a visit he made to Switzerland in the summer of 1934 , where he stayed with the sculptor Giacometti ...