Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 3
... reality . Furthermore , Ernst believed that this dialogue between conscious and unconscious should take place on the canvas itself , in the very act of creation . To the extent that he regarded his art as a means of investigation rather ...
... reality . Furthermore , Ernst believed that this dialogue between conscious and unconscious should take place on the canvas itself , in the very act of creation . To the extent that he regarded his art as a means of investigation rather ...
Pagina 6
... reality parallels that of the images , to which they bear a reciprocal relation as both inspiration and amplification . This practice coincided with his enthusiastic reading of Novalis and Hölderlin . Ernst's experiments with word ...
... reality parallels that of the images , to which they bear a reciprocal relation as both inspiration and amplification . This practice coincided with his enthusiastic reading of Novalis and Hölderlin . Ernst's experiments with word ...
Pagina 12
... realities : Freud's ' pleasure ' and ' reality ' principles . This is not the case in the decalcomania pictures , where the trompe - l'oeil nature of the automatic passages relates them to the background , which acts as an impassive ...
... realities : Freud's ' pleasure ' and ' reality ' principles . This is not the case in the decalcomania pictures , where the trompe - l'oeil nature of the automatic passages relates them to the background , which acts as an impassive ...