Max ErnstPhaidon, 1979 - 16 pagina's |
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Pagina 3
... unconscious mind , but also of initiating a dialogue between the unconscious and the conscious . Many factors entered into this dialogue : unconsciousness seen as a property of mental phenomena on the one hand , and as the repository of ...
... unconscious mind , but also of initiating a dialogue between the unconscious and the conscious . Many factors entered into this dialogue : unconsciousness seen as a property of mental phenomena on the one hand , and as the repository of ...
Pagina 5
... unconscious mind most easily enter consciousness . Ernst came to describe the additions he made to his collages as changing them into images which ' transformed into revealing dreams my most secret desires ' . Ernst's use of the dream ...
... unconscious mind most easily enter consciousness . Ernst came to describe the additions he made to his collages as changing them into images which ' transformed into revealing dreams my most secret desires ' . Ernst's use of the dream ...
Pagina 11
... unconscious mind , when those forces remain repressed . The spiky vegetation which creeps menacingly upwards in The Whole City developed into a lush , though no less dangerous , forest in a series painted in the years 1936–8 , of which ...
... unconscious mind , when those forces remain repressed . The spiky vegetation which creeps menacingly upwards in The Whole City developed into a lush , though no less dangerous , forest in a series painted in the years 1936–8 , of which ...