Shakespeare's TragediesRoutledge and Paul, 1951 - 277 pagina's |
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Pagina 22
... Elizabethan players , when Shakespeare was a boy , were versatile . They were not only actors of plays but acrobats , athletes , clowns , fencers , singers , musicians , dancers and general entertainers . Their usual acting place was ...
... Elizabethan players , when Shakespeare was a boy , were versatile . They were not only actors of plays but acrobats , athletes , clowns , fencers , singers , musicians , dancers and general entertainers . Their usual acting place was ...
Pagina 23
... Elizabethan playhouse thus lacked that rather rigid sense of decorum and consistency which has been usual in classical and modern plays . Not only did the action move quickly from episode to episode , but the sense of time and place was ...
... Elizabethan playhouse thus lacked that rather rigid sense of decorum and consistency which has been usual in classical and modern plays . Not only did the action move quickly from episode to episode , but the sense of time and place was ...
Pagina 119
... Elizabethan stage , the heroes of this play were dressed in a mixture of Elizabethan and medieval costume . They fight in complete medieval armour and their etiquette of combat is based on Morte d'Arthur rather than the Iliad . Moreover ...
... Elizabethan stage , the heroes of this play were dressed in a mixture of Elizabethan and medieval costume . They fight in complete medieval armour and their etiquette of combat is based on Morte d'Arthur rather than the Iliad . Moreover ...
Inhoudsopgave
SHAKESPEAREAN TRAGEDY | 9 |
TITUS ANDRONICUS | 30 |
ROMEO AND JULIET | 47 |
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Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus begins blood Brabantio Brutus Cassio character Claudius comes Cordelia Coriolanus critics curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends give Gloucester Goneril Greek Hamlet hand hath heart Hector honour husband Iago Iago's inner stage Julius Caesar kill King Lady Capulet Laertes Lavinia Lear Lord Lucius Macbeth main stage Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Roman Rome Romeo and Juliet Saturninus scene sense Shakespeare Shakespeare's plays soldier soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses upper stage utter vengeance Volumnia wife words young