Shakespeare's TragediesRoutledge and Paul, 1951 - 277 pagina's |
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Pagina 38
... audience will endure , and few modern audiences would sit through this scene ; either it would revolt them or more probably - it would move them to wild laughter.1 Certainly the imagination is stirred to know how the episodes could have ...
... audience will endure , and few modern audiences would sit through this scene ; either it would revolt them or more probably - it would move them to wild laughter.1 Certainly the imagination is stirred to know how the episodes could have ...
Pagina 45
... audience and an excuse for extravagant lamentation , but no more . Had Shakespeare ever felt for Lavinia or for her old father , as later he felt for and with Lear and Cordelia , the play could never have been endured . Indeed ...
... audience and an excuse for extravagant lamentation , but no more . Had Shakespeare ever felt for Lavinia or for her old father , as later he felt for and with Lear and Cordelia , the play could never have been endured . Indeed ...
Pagina 133
... audience that he could convey so much and so rapidly in the first scene . In Julius Caesar he did not venture to reveal Cassius ' feelings towards Caesar until the audience had been prepared with over 100 lines of dialogue , and yet the ...
... audience that he could convey so much and so rapidly in the first scene . In Julius Caesar he did not venture to reveal Cassius ' feelings towards Caesar until the audience had been prepared with over 100 lines of dialogue , and yet the ...
Inhoudsopgave
SHAKESPEAREAN TRAGEDY | 9 |
TITUS ANDRONICUS | 30 |
ROMEO AND JULIET | 47 |
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Veelvoorkomende woorden en zinsdelen
Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus begins blood Brabantio Brutus Cassio character Claudius comes Cordelia Coriolanus critics curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends give Gloucester Goneril Greek Hamlet hand hath heart Hector honour husband Iago Iago's inner stage Julius Caesar kill King Lady Capulet Laertes Lavinia Lear Lord Lucius Macbeth main stage Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Roman Rome Romeo and Juliet Saturninus scene sense Shakespeare Shakespeare's plays soldier soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses upper stage utter vengeance Volumnia wife words young