Shakespeare's TragediesRoutledge and Paul, 1951 - 277 pagina's |
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Pagina 50
... becomes self - consciously poetic at the intenser moments , his language is too elaborate and high wrought . At times the result was lyrical - the duet of Romeo and Juliet during their first meeting , or of Juliet's soliloquy while ...
... becomes self - consciously poetic at the intenser moments , his language is too elaborate and high wrought . At times the result was lyrical - the duet of Romeo and Juliet during their first meeting , or of Juliet's soliloquy while ...
Pagina 141
... becomes maudlin and religious and his thoughts turn to salvation . He is not , of course , drunk ; he knows which is his right hand and which is his left ; and he can stand and speak - very deliberately . In this condition he goes off ...
... becomes maudlin and religious and his thoughts turn to salvation . He is not , of course , drunk ; he knows which is his right hand and which is his left ; and he can stand and speak - very deliberately . In this condition he goes off ...
Pagina 198
George Bagshawe Harrison. must relieve the tension before the strain becomes too great . It is always a dangerous moment , for when spectators are over- strung , their emotions become either numbed so that they are unable to appreciate ...
George Bagshawe Harrison. must relieve the tension before the strain becomes too great . It is always a dangerous moment , for when spectators are over- strung , their emotions become either numbed so that they are unable to appreciate ...
Inhoudsopgave
SHAKESPEAREAN TRAGEDY | 9 |
TITUS ANDRONICUS | 30 |
ROMEO AND JULIET | 47 |
11 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus begins blood Brabantio Brutus Cassio character Claudius comes Cordelia Coriolanus critics curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends give Gloucester Goneril Greek Hamlet hand hath heart Hector honour husband Iago Iago's inner stage Julius Caesar kill King Lady Capulet Laertes Lavinia Lear Lord Lucius Macbeth main stage Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Roman Rome Romeo and Juliet Saturninus scene sense Shakespeare Shakespeare's plays soldier soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses upper stage utter vengeance Volumnia wife words young