Shakespeare's TragediesRoutledge and Paul, 1951 - 277 pagina's |
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Pagina 131
... lines of clowning hardly noticed at the beginning of Act III . The action from time to time passes from Othello and Iago to Roderigo or Cassio ; both are essential victims and unconscious accessories to Iago's schemes . All the ...
... lines of clowning hardly noticed at the beginning of Act III . The action from time to time passes from Othello and Iago to Roderigo or Cassio ; both are essential victims and unconscious accessories to Iago's schemes . All the ...
Pagina 187
... lines later , when Ross and Angus enter and announce to Macbeth that he has been made Thane of Cawdor , Angus explains that Cawdor is under sentence of death but he is not quite sure why ; it might almost have been assumed that Ross ...
... lines later , when Ross and Angus enter and announce to Macbeth that he has been made Thane of Cawdor , Angus explains that Cawdor is under sentence of death but he is not quite sure why ; it might almost have been assumed that Ross ...
Pagina 204
... lines , and twenty - four are less than seventy - five lines in length . Shakespeare was thus showing his story in a series of flashes , and he used every part of the stage . These episodes in the usual text are marked as separate ...
... lines , and twenty - four are less than seventy - five lines in length . Shakespeare was thus showing his story in a series of flashes , and he used every part of the stage . These episodes in the usual text are marked as separate ...
Inhoudsopgave
SHAKESPEAREAN TRAGEDY | 9 |
TITUS ANDRONICUS | 30 |
ROMEO AND JULIET | 47 |
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Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus begins blood Brabantio Brutus Cassio character Claudius comes Cordelia Coriolanus critics curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends give Gloucester Goneril Greek Hamlet hand hath heart Hector honour husband Iago Iago's inner stage Julius Caesar kill King Lady Capulet Laertes Lavinia Lear Lord Lucius Macbeth main stage Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Roman Rome Romeo and Juliet Saturninus scene sense Shakespeare Shakespeare's plays soldier soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses upper stage utter vengeance Volumnia wife words young