Surrealism

Voorkant
Natalya Lusty
Cambridge University Press, 12 aug 2021 - 15 pagina's
This book examines the salient ideas and practices that have shaped Surrealism as a protean intellectual and cultural concept that fundamentally shifted our understanding of the nexus between art, culture, and politics. By bringing a diverse set of artistic forms and practices such as literature, manifestos, collage, photography, film, fashion, display, and collecting into conversation with newly emerging intellectual traditions (ethnography, modern science, anthropology, and psychoanalysis), the essays in this volume reveal Surrealism's enduring influence on contemporary thought and culture alongside its anti-colonial political position and international reach. Surrealism's fascination with novel forms of cultural production and experimental methods contributed to its conceptual malleability and temporal durability, making it one of the most significant avant-garde movements of the twentieth century. The book traces how Surrealism's urgent political and aesthetic provocations have bequeathed an important legacy for recent scholarly interest in thing theory, critical vitalism, new materialism, ontology, and animal/human studies.
 

Geselecteerde pagina's

Inhoudsopgave

List of Illustrations
The Surrealist World
Psychoanalysis
Surrealism and the Demand of Politics
Modern Science
Surrealism and Dreams
Surrealism and Eros
Surrealist Collections in Paris and Sussex
Surrealist Display Practices
Heterodoxies
Walter Kalaidjian
André Breton on Art Nature
Surrealism and MassObservation
Pacific Surrealism
Decolonial Surrealism
Surrealism and écriture feminine

Surrealist Objects
Collage
Film
Photography in Surrealism
Surrealist Fashion
Subcultural Receptions of Surrealism in
Select Bibliography
Index
Copyright

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Over de auteur (2021)

Natalya Lusty is Professor of Cultural Studies at the University of Melbourne and an ARC Future Fellow. She is the author of Surrealism, Feminism, Psychoanalysis (2017), co-editor of Modernism and Masculinity (2014) and Photography and Ontology: Unsettling Images (2019), and on the editorial collective for the International Journal of Surrealism.

Bibliografische gegevens