Tragedy and Metatheatre: Essays on Dramatic FormHolmes & Meier, 2003 - 250 pagina's Lionel Abel's original Metatheatre, now published in the company of new essays, has inspired a whole generation of playwrights and critics since it first appeared in 1963. Indeed, to insiders the very word 'metatheatre', coined by Lionel Abel, has become as familiar as the plays the author uses to exemplify his theory. Abel's basic premise is that "tragedy is difficult if not altogether impossible for the modern dramatist." Having identified the modern, existential dilemma (for both playwright and audience), Abel sets out to provide a theory for its resolution. In doing so he illuminates plays by Sophocles, Shakespeare, Calderón, Racine, Wilde, Genet, Brecht, Beckett, Pirandello, and others with ease and probity, offering a new generation of readers fresh, insightful interpretations. And if anyone thinks Lionel Abel has tempered his style be forewarned: As in his opening critique of those he considers to be playing 'language games', his criticism remains as piercing as ever. |
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Pagina 44
... protagonists as an ambiguous mixture of the human and the divine . Many years back when I first published Metatheatre , I took a somewhat similar view of the daemonic in an essay titled " Daemons True and False . " The only point I want ...
... protagonists as an ambiguous mixture of the human and the divine . Many years back when I first published Metatheatre , I took a somewhat similar view of the daemonic in an essay titled " Daemons True and False . " The only point I want ...
Pagina 47
... protagonist , I suffered with him or her ; I was the protagonist , I endured his or her agonies , I can have no possible feeling of guilt for not having ventured further with the hero or heroine finally to his or her death . I emerged ...
... protagonist , I suffered with him or her ; I was the protagonist , I endured his or her agonies , I can have no possible feeling of guilt for not having ventured further with the hero or heroine finally to his or her death . I emerged ...
Pagina 73
... protagonist of the play - if , for instance , this role were reserved for her father , Agamemnon , who , in every variant of the story , agrees to her sacrifice so that the winds . can blow and the Greek fleet sail . Like Georg Hegel ...
... protagonist of the play - if , for instance , this role were reserved for her father , Agamemnon , who , in every variant of the story , agrees to her sacrifice so that the winds . can blow and the Greek fleet sail . Like Georg Hegel ...
Veelvoorkomende woorden en zinsdelen
Abel Abel's absurd action actors Aeschylus Agamemnon Antigone Aristotle Athaliah Athalie audience Bakhtin baroque Beckett Bérénice Brecht Calderón called certainly characters Clov Clytemnestra comedy comic Creon critics death Don Quixote Dostoevsky dramatist dream Endgame essay Esslin Euripides expressed fact Falstaff father feel Genet Georg Hegel Ghost Godot Greek tragedy Hamlet Hamm Hegel hero hidden Ibsen imagination implacable values interesting James Joyce Jean Racine Joyce judgment kind King Kitto l'esprit faux Macbeth mean metadrama metaplay metatheatre modern drama modernist Molière moral mother motive murder never notion novel Oedipus operative concepts Oresteia Orestes pessimism Phaedra Philoctetes philosopher Pirandello pity play's playwright plot poet political Polonius Prince protagonist question Racine raisonneur reality scene Shakespeare Shaw Shaw's Sophocles stage play story sure Tartuffe Tecmessa term terror theatre theatrical thing thought tragic sense true verse write writer of tragedy wrong