The twentieth-century Russian novel: an introductionEight of Russia's most popular and significant novels are presented in this important new guide for students. Works include: - "We" by Evgenii Zamiatin - "Red Cavalry" by Isaak Babel - "Envy" by Iurii Olesha - "How the Steel Was Tempered" by Nikolai Ostrovskii - "The Master and Margarita" by Mikhail Bulgakov - "Doctor Zhivago" by Boris Pasternak - "Cancer Ward" by Alexander Solzhenitsyn - "Pushkin House" by Andrei Bitov In each chapter, David Gillespie examines one novel in detail and explores the career of the author and the critical reception of the work. Throughout, considerable reference is made to recently published scholarship and archival materials to provide students and scholars of Russian and Comparative Literature with a guide to these important Russian authors and their place in the world of literature. The book also includes an extensive bibliography of secondary literature and contains textual references in both the original Russian and in English translation. |
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Pagina 39
138) against the sky, a symbol of his own doubts about 'the future'. But Tomilina
places her faith in Liutov to take her and her family to Moscow, and away from the
war. Liutov lets her down as he leaves without her. The future, then, is one of ...
138) against the sky, a symbol of his own doubts about 'the future'. But Tomilina
places her faith in Liutov to take her and her family to Moscow, and away from the
war. Liutov lets her down as he leaves without her. The future, then, is one of ...
Pagina 48
Andrei and Ivan, Makarov and Kavalerov, Valia and Anechka are all contrasting
pairs, one representing the new world, the other the old. Characters are
associated with certain symbols: Andrei's vision is of the Chetvertak, a huge
dining room ...
Andrei and Ivan, Makarov and Kavalerov, Valia and Anechka are all contrasting
pairs, one representing the new world, the other the old. Characters are
associated with certain symbols: Andrei's vision is of the Chetvertak, a huge
dining room ...
Pagina 61
Harkins notes: 'And the widow's enormous and terrible bed is likewise sexual in
its symbolic implications: it is at once the goal of Kavalerov 's yearnings and the
symbol of his fear of and disgust at sexuality, his fear of his own impotence.
Harkins notes: 'And the widow's enormous and terrible bed is likewise sexual in
its symbolic implications: it is at once the goal of Kavalerov 's yearnings and the
symbol of his fear of and disgust at sexuality, his fear of his own impotence.
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Inhoudsopgave
Isaak Babel 18941940 Red Cavalry KompMun | 24 |
IuriiOlesha 18991960 Envy 3aeucmb | 43 |
Nikolai Ostrovskii 19043 6 How the Steel | 62 |
Copyright | |
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Overige edities - Alles weergeven
The Twentieth-Century Russian Novel: An Introduction David Gillespie Geen voorbeeld beschikbaar - 1996 |
Veelvoorkomende woorden en zinsdelen
6bijiH 6biTb Andrei Andrei Bitov Andrew Barratt Antipov artistic become Behemoth Berlioz Bezdomnyi Bitov Bolshevik Bulgakov's Cancer Ward characters Christ colour Cossacks criticism cultural death Doctor Zhivago Dostoevskii dreams Dudorov ecjiH ecTb Evgenii Evgraf eyes father Furthermore Gulag Ha-Notsri hero HjiH horse human ideological imagery Isaak Babel Iuriatin Iurii Ivan Jewish Jews Kavalerov KH3HH killed Komarovskii Korchagin Korov'ev Kostoglotov Lara Leva Leva's likened Liutov live Lyova Makarov Master and Margarita metaphors Mitishat'ev moral Moscow narrative narrator nature Nikolai notes novel Olesha Ostrovskii Party Pasternak Pavel Pavel Korchagin Pilate plot poems political poMaHa published Pushkin House reality Red Cavalry Revolution Rusanov Russian literature sexual Shepetovka Shulubin social socialist realism society Solzhenitsyn Soviet Union spiritual Stalin Stalinist Steel Was Tempered story Strel'nikov style symbol theme TOjibKO Tonia truth Varykino Vedeniapin Woland words writer Zamiatin Zhukhrai