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E.

Fine Gentleman, a Character
frequently mifapplied by the.
Fair Sex, N. 75.
Flutter, (Sir Foplin)a Comedy;:
fome Remarks upon it, N.65.
Fools, great Plenty of them the
first Day of April, N. 47.
Freeport, (Sir Andrew) a Mem-
ber of the Spectator's Club,

ENVY: The ill State of an
envious Man, N. 19. his
Relief, ibid. The way to ob-
tain his Favour, ibid.
Ephefian Matron, the Story of
her, N. 11.
Epictetus, his Obfervation up-
on the Female Sex, N. 53.
Epigram on Hecatiffa, N. 52.
Epitaphs, the Extravagance of
fome, and Modefty of others,
N. 26. An Epitaph written
by Ben Johnson, 33.
Equipages, the Splendor of
them in France, N. 15. a
great Temptation to the Fe-
male Sex, ibid.

Etheridge (Sir George) Author of

a Comedy, called, She would if he could, reproved, N. 51. Eubulus, his Character, N.49. Eucrate,the Favourite of Pharamond, N. 76.

Exdofia, her Behaviour, N.79.

F.

ABLE of the Lion and the Man, N. 11. Of the Children and Frogs, 23. Of Jupiter and the Countryman, 25.

N. 2.

French Poets, wherein to be imitated by the English,N.45Friendship, the great Benefit of it,. N. 68. The Medicine of Life, ibid. The Qualifications of a good Friend, ibid.

G.

Gallantry; wherein true

Gallantry ought to con

fift, N. 7.

Gaper; the Sign of the Gaper frequent in Amfterdam, N.47. Ghoits warn'd out of the Playhoufe, N. 36. the Appearance of a Ghoft of great Efficacy on an Englih Theatre,

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Falfhood, (the Goddess of) Handkerchief, the great

N. 63.
Falfe Wit, the Region of it,

N. 25.
Falstaff (Sir John) a famous
Butt, N. 47.
Fame,generally coveted,N.73.
Fashion, the Force of it, N. 64.
Fear of Death often Mortal,.

N. 25.

for moving Pity in a Tragedy, N. 44. Happiness, (true) an Enemy toPomp and Noife, N. 15. Hard Words ought not to be. Pronounced right by wellbred Ladies, N. 45. Heroes in an English Tragedy generally Lovers, N. 40. Q 37 Hobb

Hobbs, (Mr.) his Obfervation Innocence and not Quality, an

upon Laughter, N. 47. Honeycomb, (Will.) his Character, N. 2. his Difcourfe with the Spectator in the Playhoufe, 4. his Adventure with a Pia,41. Throws his Watch into the Thames, 77. Humane Nature, the fame in all reasonable Creatures, N. 70.

Humour to be described only

the

by Negatives, N. 35. Genealogy of true Humour, ibid, and of falfe, ibid.

14

I.

Ambick Verse the most proper for Greek Tragedies,

N. 39.

James, how polifhed by Love,

N. 71. Idiots in great Requeft in most of the German Courts,

Exemption from Reproof,
N. 34-

Johnson (Ben.) an Epitaph
written by him on a Lady,
N. 33.
Italian Writers, florid and
wordy, N. 5.

N. 47.
Idols, who of the Fair Sex fo
call'd, N. 73.
Impudence gets the better of
Modefty, N. 2. An Impu-
dence committed by theEyes,
20. the Definition of English,
Scotch, and Irish Impudence,
ibid.

Indian Kings, fome of their
Obfervations during their ftay
here. N. 50.
Indifcretion, more hurtful than
Ill-nature. N. 23.
Injuries how to be measured,

N. 23.

Inkle and Yarico, their Story,

N. 11.

K.

Cafe in a Letter to the

KImbow, (Tho.) ftates his
Killing-Dances cenfured,N.67.
Spectator, N. 24.

L.

Ady's Library defcribed,
N. 37.
Lætitia and Daphne their
Story, N. 33.

Lampoons written by People
that cannot Spell, N. 16. wit-
ty Lampoons inflict Wounds
that are incurable, 23. the in-
humane Barbarity of the or-
dinary Scriblers of Lam-
poons, ibid.

Larvati, who fo called among
the Ancients, N. 32.
Lath, (Squire) has a good E-
ftate which he would part
withal for a Pair of Legs to
his Mind, N. 32.
Laughter, (immoderate) a Sign
of Pride, N. 47. the Provo-
vocations to it, ibid.
Lawyers divided into the Peace-
able and Litigious, N. 21.
Both Sorts defcribed, ibid.
King Lear, a Tragedy fuffers
in the Alteration, N. 40.

Lee,

Lee, the Poet, well turn'd for Tragedy, N. 39. Learning ought not to claim any Merit to it felf, but upon the Application of it, N. 6. Leonora, her Character, N. 37. the Description of her Country Seat, ibid. Letters to the Spectator; complaining of the Masquerade, N. 8. from the Opera-Lion, 14. from the under Sexton of Covent-GardenParish,ibid. from the Undertaker of the Mafquerade, ibid. from one who had been to fee the Opera of Rinaldo, and the Puppet-Show, ibid. from Charles Lillie, 16. from the Prefident of the Ugly Club, 17. from S.C. with a Complaint against the Starers, 20. from Tho. Prone,whoacted the Wild Boar that was killed by Mrs. Tofts, 22. from William Screne and Ralph Simple, ibid. from an A&tor, ibid. from King Latinus, ibid. from Tho. Kimbow, 24. from Will. Fafbion to his wou'd-be Acquaintance, ibid. from Mary Tuesday on the fame Subject, ibid. from a Valetudinarian to the Spectator, 25. from fome Perfons to the Spectator's Clergyman, 27. from one who would be Infpector of the Sign Pofts, 28, from the Mafter of the Show at Charing Crofs, ibid. from a Member of the Amorous Club, at Oxford, 30. from a Member of the Ugly Club,

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32. from a Gentleman to fuch Ladies as are profefs'd Beauties, 33. to the Spectator from T. D. containing an intended Regulation of the Play-house, 36.from the Play-houfe Thunderer, ibid. from the Spectator to an affected very witty Man, 38. from a married Man with a Complaint that his Wife painted, 41. from Abraham Froth, a Member of the Hebdomadal Meeting in Oxford, 43. from a Husband plagued with aGofpel-Goffip,46.from. an Ogling Mafter, ibid. from the Spectator to the Prefident and Fellows of the Ugly Club, 48. from Hecatia to the Spectator, ibid. from an old Beau, ibid. from Epping, with fome Account of a Company of Ṣtrolers, ibid. from a' Lady complaining of a Pasfage in the Funeral, 51. from Hugh Goblin, Prefident of the Ugly Club, 52. from 2. R. concerning Laughter, ibid.the Spectator's Anwer, ibid. from R.B. to the Spectator, with a Propofal relating to the Education of Lovers, 53. from Anna Bella,ibid. from a splenetickGentleman, ibid. from a reformed Starer, complaining of a Peeper, ibid. from King Latinus, ibid. from a Gentleman at Cambridge, containing an Account of a new Se&t of Philofophers called Loungers, 54. from Celimene, 66, from a Father complaining

complaining of the Liberties
taken in Country-Dances,
67. from James to Betty, 71.
to the Spectator, from the
Ugly Clubat Cambridge, 78.
from a whimsical young Lady,
79. from B. D. defiring a
Catalogue of Books for the
Female Library, ibid.
Lettter-Dropper of Antiquity,
who, N. 59.
Library, a Lady's Library de-
fcrib'd, N. 37.
Life, the Duration of it uncer-
tain, N. 27.
Lindamira, the only Woman
allow'd to paint, N. 41.
Lion in the Hay-market occa-
fioned many Conjectures in
the Town, N. 13. very gentle
to the Spectator, ibid.
London an Emporium for the
whole Earth, N. 69..
Love, the general Concern of
it, N. 30.

Love of the World, our Hearts
mifled by it, N. 27.
Luxury, what, N. 55. attend-
ed often with Avarice, ibid.
A Fable of those two Vices,
ibid.

Loungers, a new Sect of Philo-
fophers in Cambridge, N.54.

M..

AN a fociable Animal, N. 9. The Lofs of publick and private Virtues owing to Men of Parts, 6.. Mafquerade, a Complaint against it, N. 8. The Defign. of it, ibid..

Mazarine (Cardinal) his Be
haviour to Quillet, who had
reflected upon him in a Po-
em, N. 23.
Merchants of great Benefit to
the Publick, N. 69.
Mixt Wit defcribed, N. 6z.
Mixt Communion of Men and
Spirits in Paradife, as de-
fcribed by Milton, N. 12.
Mode, on what it ought to be
built, N. 6.

Modefty the chief Ornament
of the Fair Sex, N. 6.
Moliere made an old Woman
a Judge of his Plays, N. 70.
Monuments in Weftminster Ab-
bey examined by the Specta-
tor, N. 26.

Mourning the Method of it
confidered, N. 64. Who the
greatest Mourners, ibid.
Mufick banifht by Plato our of
his Commonwealth, N. 18..
Of a relative Nature, 29.

N.

Eighbourhoods, of whom confifting, N. 49. Newberry, (Mr.) his Rebus, N. 59. New River,a Project of bringing it into the Play-house, N. 5. Nicolini, (Signior) his Voyage on Pafte-board, N. 5. His Combat with a Lion, 13. Why thought to be a Sham one,ibid. An excellent Actor,. ibid..

Oates,

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N. 57.

Ogler, the Complete Ogler,
Ň. 46.

Old Maids generally fuperfti-
tious, N. 7.

Old Teftament in a Peruke,
N. 58.

Opera, as it is the prefent En-
tertainment of the English
Stage, confidered, N. 5. The
Progrefs it has made on our
Theatre, 18. Some Account
of the French Opera, 29.
Otway commended and cen-
fured, N. 39.
Overdo, a Juftice at Epping,
offended at the Company of
Strolers for playing the Part
of Clodpate, and making a
Mockery of one of the Quo-
rum, N. 48.
Oxford Scholar, his great Dif-
covery in a Coffee-house,
N. 46.

P.

Ainter
Ainter and Tailor often
contribute more than the
Poet to the Succefs of a Tra-
gedy, N. 42.

Parents, their taking a liking
to a particular Profeffion often
occafions their Sons to mif-
carry, N. 21.

Parties crept much into the
Converfation of the Ladies,
N. 57. Party-Zeal very bad
for the Face, ibid.

Particles English, the Honour
done to them in the late Ope-
ras, N. 18.

Paffions, the Conqueft of them
a difficult Task, N. 71:
Peace, fome ill Confequences
of it, N. 45.

Peepers defcribed, N. 53.
Pharamond, Memoirs of his
private Life, N. 76. His great
Wisdom, ibid.
Philautia, a great Votary,
N. 79.

Philofophy, the Ufe of it,N.7.
faid to be brought by Socrates
down from Heaven, 10.
Phyfician and Surgeon, their
different Employment, N.
16. the Phyficians a formida-
ble Body of Men, 21. com-
pared to the British Army in
Cafar's Time, ibid. Their
Way of converting one Dif-
temper into another, 25.
Picts, what Women fo called,
N. 41. No Faith to be kept
with them, ibid.
Pinkethman to perfonate King
Porus on an Elephant, N. 31.
Players in Drury-Lane, their
intended Regulations, N. 36.
Poems in Picture, N. 58.
Poets (English) reproved, N.
39, 40. their Artifices, 44.
Poeteffes (English) wherein re-
markable, N. 51.

Powell (Senior) to a&t Alexan-
der the Great on a Dromeda-
ry, N. 31. His Artifice to raise
a Clap, N. 40.
Powell (Junior) his great Skill
in Motions, N. 14. His Per-
formance

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