The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1 jan 2002 - 347 pagina's Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Pagina vii
... American Theater 12. The Pipe Dreams of O'Neill in the Age of Deconstruction 189 13. Readymade Desire 199 14. Water under the Bridge 206 From Tango Palace to Mud 15. Fervently Impossible 215 The Group Idea and Its Legacy Contents.
... American Theater 12. The Pipe Dreams of O'Neill in the Age of Deconstruction 189 13. Readymade Desire 199 14. Water under the Bridge 206 From Tango Palace to Mud 15. Fervently Impossible 215 The Group Idea and Its Legacy Contents.
Pagina xv
... group — it might have followed what I say of Lear , in “ Set Me Where You Stand ' : Revising the Abyss , ” because Elsinore was in the derangements of its conception another case of such revision . It comes earlier in the book , however ...
... group — it might have followed what I say of Lear , in “ Set Me Where You Stand ' : Revising the Abyss , ” because Elsinore was in the derangements of its conception another case of such revision . It comes earlier in the book , however ...
Pagina xvi
... group's rethinking of Hamlet or , as I suggest in an introductory note , Hamlet's rethinking of us . In that process there was a kind of cerebral passion in the remarkable bodies of the actors , who — speaking of corpo- real style could ...
... group's rethinking of Hamlet or , as I suggest in an introductory note , Hamlet's rethinking of us . In that process there was a kind of cerebral passion in the remarkable bodies of the actors , who — speaking of corpo- real style could ...
Pagina xxii
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
Pagina xxiii
De content van deze pagina is beperkt.
De content van deze pagina is beperkt.
Inhoudsopgave
Theater at the End of the Real | 1 |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
Overige edities - Alles bekijken
The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Geen voorbeeld beschikbaar - 2002 |
Veelvoorkomende woorden en zinsdelen
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York