The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1 jan 2002 - 347 pagina's Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Pagina xvii
... critical theory , with its ideological take on the sta- tus of the aesthetic , to which I turned at one point in responding to the questions . About my collaborators on the opera , one thing is sure : their “ bloodlines are decidedly of ...
... critical theory , with its ideological take on the sta- tus of the aesthetic , to which I turned at one point in responding to the questions . About my collaborators on the opera , one thing is sure : their “ bloodlines are decidedly of ...
Pagina 2
... critical view of perspective with its notorious vanishing point. For there we encounter the liability, even the vice, of representation, implicating the theater in the recessive economy of mystification that, according to much recent ...
... critical view of perspective with its notorious vanishing point. For there we encounter the liability, even the vice, of representation, implicating the theater in the recessive economy of mystification that, according to much recent ...
Pagina 7
... critical theory , as well as the fantasy text of dissident theater practice ? It's as if for the sake of renewal in the detritus of the dream a kind of homeopathic violence were required , and that is exactly what the former prime ...
... critical theory , as well as the fantasy text of dissident theater practice ? It's as if for the sake of renewal in the detritus of the dream a kind of homeopathic violence were required , and that is exactly what the former prime ...
Pagina 10
... critical theorists , like Gramsci , whose dramatic criticism was even more caustic than Brecht's about the culinary audi- ence . The harshness of their judgments may be attributed to the urgen- cies of the period or the necessities of ...
... critical theorists , like Gramsci , whose dramatic criticism was even more caustic than Brecht's about the culinary audi- ence . The harshness of their judgments may be attributed to the urgen- cies of the period or the necessities of ...
Pagina 16
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Inhoudsopgave
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
Overige edities - Alles bekijken
The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Geen voorbeeld beschikbaar - 2002 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York