The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1 jan 2002 - 347 pagina's Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Pagina iv
... essays in this book . All rights reserved . No part of this publication may be reproduced , stored in a retrieval system , or transmitted , in any form or by any means , electronic , mechanical , photo- copying , recording , or ...
... essays in this book . All rights reserved . No part of this publication may be reproduced , stored in a retrieval system , or transmitted , in any form or by any means , electronic , mechanical , photo- copying , recording , or ...
Pagina viii
... of John Fletcher 19. “Set Me Where You Stand” 281 Revising the Abyss 20. Limits of Performance 307 The Insane Root Notes 321 Previous Publications 335 Index 337 Introduction These essays span just about a quarter of a.
... of John Fletcher 19. “Set Me Where You Stand” 281 Revising the Abyss 20. Limits of Performance 307 The Insane Root Notes 321 Previous Publications 335 Index 337 Introduction These essays span just about a quarter of a.
Pagina ix
... essays are not organized in chronologi- cal sequence, they constitute by accretion in the conceptual back and forth a sort ... essay on, a view of the theater so insistently ontological. If that remains the egregious reflex of a hopeless ...
... essays are not organized in chronologi- cal sequence, they constitute by accretion in the conceptual back and forth a sort ... essay on, a view of the theater so insistently ontological. If that remains the egregious reflex of a hopeless ...
Pagina x
... essay on Artaud, “The Theater of Cruelty and the Closure of Representation,” to realize that even the shattered mirror sustains, in its myriad of replications, all scenarios ending in death, the appalling truth of a cruelty requiring in ...
... essay on Artaud, “The Theater of Cruelty and the Closure of Representation,” to realize that even the shattered mirror sustains, in its myriad of replications, all scenarios ending in death, the appalling truth of a cruelty requiring in ...
Pagina xi
... essay , what Barthes says of the photograph might be describing Brecht's Baal , whose serial mortifications not only occur in quick expo- sures but , in the repetitive acts of his perverse , insatiable , then hyper- trophic , rotting ...
... essay , what Barthes says of the photograph might be describing Brecht's Baal , whose serial mortifications not only occur in quick expo- sures but , in the repetitive acts of his perverse , insatiable , then hyper- trophic , rotting ...
Inhoudsopgave
Theater at the End of the Real | 1 |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
Overige edities - Alles bekijken
The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Geen voorbeeld beschikbaar - 2002 |
Veelvoorkomende woorden en zinsdelen
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York