The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1 jan 2002 - 347 pagina's Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Pagina viii
... of John Fletcher 19. “Set Me Where You Stand” 281 Revising the Abyss 20. Limits of Performance 307 The Insane Root Notes 321 Previous Publications 335 Index 337 Introduction These essays span just about a quarter of a.
... of John Fletcher 19. “Set Me Where You Stand” 281 Revising the Abyss 20. Limits of Performance 307 The Insane Root Notes 321 Previous Publications 335 Index 337 Introduction These essays span just about a quarter of a.
Pagina ix
... performance studies. Now that it is pretty much orthodoxy to think of artistic and cultural practices through the quadrivium of social construction (gender, race, ethnicity, class), it may seem peculiar to encounter, from the opening ...
... performance studies. Now that it is pretty much orthodoxy to think of artistic and cultural practices through the quadrivium of social construction (gender, race, ethnicity, class), it may seem peculiar to encounter, from the opening ...
Pagina x
... performance that endorses or perpetu- ates what representation conceals. Which returns us to the charge (an- other repetitive act) that it is a humanistic cover-up for invisible power. If, by way of Foucault or Deleuze, critique of the ...
... performance that endorses or perpetu- ates what representation conceals. Which returns us to the charge (an- other repetitive act) that it is a humanistic cover-up for invisible power. If, by way of Foucault or Deleuze, critique of the ...
Pagina xii
... to the perilous site of what, if he can hardly believe his eyes, has never been heard before. Or so, in its extremity, it has to be imagined. About performance, however, literally at the extreme I had a chance to think xii Introduction.
... to the perilous site of what, if he can hardly believe his eyes, has never been heard before. Or so, in its extremity, it has to be imagined. About performance, however, literally at the extreme I had a chance to think xii Introduction.
Pagina xiii
... Performance : Sports , Medi- cine , and the Humanities , ” whose international participants were world- class ... performance as we know it from the theater — that referred to high- pressure moments in practice or rehearsal when , doing ...
... Performance : Sports , Medi- cine , and the Humanities , ” whose international participants were world- class ... performance as we know it from the theater — that referred to high- pressure moments in practice or rehearsal when , doing ...
Inhoudsopgave
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
Overige edities - Alles bekijken
The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Geen voorbeeld beschikbaar - 2002 |
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