The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1 jan 2002 - 347 pagina's Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Pagina ix
... sort ofintellectual history of a turning from theater to theory, charged as it was to begin with by the work I had done in the theater— which, elsewhere, I have defined as “blooded thought.”1 What was also there to begin with, in the ...
... sort ofintellectual history of a turning from theater to theory, charged as it was to begin with by the work I had done in the theater— which, elsewhere, I have defined as “blooded thought.”1 What was also there to begin with, in the ...
Pagina x
... sort of embodied performance that endorses or perpetuates what representation conceals. Which returns us to the charge (another repetitive act) that it is a humanistic cover-up for invisible power. If, by way of Foucault or Deleuze ...
... sort of embodied performance that endorses or perpetuates what representation conceals. Which returns us to the charge (another repetitive act) that it is a humanistic cover-up for invisible power. If, by way of Foucault or Deleuze ...
Pagina xvi
... sort of visual poetry, it still conveys much of what was extraordinary about the work, mainly the group's rethinking of Hamlet or, as I suggest in an introductory note, Hamlet's rethinking of us. In that process there was a kind of ...
... sort of visual poetry, it still conveys much of what was extraordinary about the work, mainly the group's rethinking of Hamlet or, as I suggest in an introductory note, Hamlet's rethinking of us. In that process there was a kind of ...
Pagina xix
... sort of atonement. For it may be apparent here and there that since my earliest work in the theater I have not been very well disposed to American drama, though I have always intended to write a book in which I make the case for it ...
... sort of atonement. For it may be apparent here and there that since my earliest work in the theater I have not been very well disposed to American drama, though I have always intended to write a book in which I make the case for it ...
Pagina xxi
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De content van deze pagina is beperkt.
Inhoudsopgave
Theater at the End of the Real | 1 |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
Overige edities - Alles bekijken
The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Geen voorbeeld beschikbaar - 2002 |
Veelvoorkomende woorden en zinsdelen
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