The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 1 jan 2002 - 347 pagina's Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Resultaten 1-5 van 47
Pagina xi
... wrote for a conference on photog- raphy put together by film theorists , what is tragic is only implicit in “ the intractable referent of the photograph , what it can't get rid of , ” the absence in the image , immobile , funereal ...
... wrote for a conference on photog- raphy put together by film theorists , what is tragic is only implicit in “ the intractable referent of the photograph , what it can't get rid of , ” the absence in the image , immobile , funereal ...
Pagina xv
... wrote about it ) . To the question , asked in the eighties , “ What's new in the American thea- ter ? ” the answer was considering the expectancies that came out of the sixties — not all that much , though the essay pays attention to ...
... wrote about it ) . To the question , asked in the eighties , “ What's new in the American thea- ter ? ” the answer was considering the expectancies that came out of the sixties — not all that much , though the essay pays attention to ...
Pagina xvii
... wrote the piece that , here , comes soon after Elsinore . “ A Valediction : Chills and Fever , Mourning , and the Vanities of the Sub- lime ” is a self - commiserating long title for a short response to another series of questions ...
... wrote the piece that , here , comes soon after Elsinore . “ A Valediction : Chills and Fever , Mourning , and the Vanities of the Sub- lime ” is a self - commiserating long title for a short response to another series of questions ...
Pagina xviii
... was a great success ) edified the incapacities of our liberal audience . “ If the audience is not altogether an absence , it is by no means a reliable presence , ” I wrote in the opening paragraph of xviii Introduction.
... was a great success ) edified the incapacities of our liberal audience . “ If the audience is not altogether an absence , it is by no means a reliable presence , ” I wrote in the opening paragraph of xviii Introduction.
Pagina xix
Extremities of Theater, 1976-2000 Herbert Blau. presence , ” I wrote in the opening paragraph of The Audience , 11 with a lasting distrust of easy sentiment in the facsimile of a social body whose apparent unity is that of an essential ...
Extremities of Theater, 1976-2000 Herbert Blau. presence , ” I wrote in the opening paragraph of The Audience , 11 with a lasting distrust of easy sentiment in the facsimile of a social body whose apparent unity is that of an essential ...
Inhoudsopgave
Theater at the End of the Real | 1 |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
Overige edities - Alles bekijken
The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Geen voorbeeld beschikbaar - 2002 |
Veelvoorkomende woorden en zinsdelen
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York