Nothing If Not Critical: Selected Essays on Art and ArtistsA.A. Knopf, 1990 - 429 pagina's The most controversial art critic in America and author of the bestselling The Fatal Shore looks with love and loathing, wit and authority, at art, artists, and the art world-from sixteenth-century Rome to 1980s SoHo. -- Back cover. |
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Pagina 201
... color , inspired by Matisse . At the end of the purge you would have a clipped but radiant discourse of pure hue , fixed by an exaggerated pictorial flatness , done in thinned translucent washes that became the surface . Louis's direct ...
... color , inspired by Matisse . At the end of the purge you would have a clipped but radiant discourse of pure hue , fixed by an exaggerated pictorial flatness , done in thinned translucent washes that became the surface . Louis's direct ...
Pagina 216
... color . Shape is reduced to the minimum : some flat silhouettes , relatively little internal texture . Avery was not good at maintaining a suavely impastoed surface , although sometimes he could bring one off with real subtlety : the ...
... color . Shape is reduced to the minimum : some flat silhouettes , relatively little internal texture . Avery was not good at maintaining a suavely impastoed surface , although sometimes he could bring one off with real subtlety : the ...
Pagina 293
Selected Essays on Art and Artists Robert Hughes. rather to evoke the way these colors work , as stable characters in a plot of sensation . This is especially true of the Open paintings , which consist of broad fields of color whose only ...
Selected Essays on Art and Artists Robert Hughes. rather to evoke the way these colors work , as stable characters in a plot of sensation . This is especially true of the Open paintings , which consist of broad fields of color whose only ...
Inhoudsopgave
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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Nothing If Not Critical: Selected Essays on Art and Artists Robert Hughes Gedeeltelijke weergave - 1992 |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface Susan Rothenberg things tion Titian turned visual wanted Warhol watercolors York Zurbarán