A History of Literary Criticism: From Plato to the PresentJohn Wiley & Sons, 15 apr 2008 - 848 pagina's This comprehensive guide to the history of literary criticism from antiquity to the present day provides an authoritative overview of the major movements, figures, and texts of literary criticism, as well as surveying their cultural, historical, and philosophical contexts.
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Pagina 12
... artistic dimension. In fact, these various dimensions of poetry and literature were not mutually separated as they sometimes appear to be for us. Hence, to understand the origins and nature of literary criticism in the Greek world ...
... artistic dimension. In fact, these various dimensions of poetry and literature were not mutually separated as they sometimes appear to be for us. Hence, to understand the origins and nature of literary criticism in the Greek world ...
Pagina 17
... artistic self-reference.” “Early Greek Views of Poets and Poetry,” in CHLC, V.I, 7. 2 See M. I. Finley, “The World of Greece and Rome,” in LWC, 38. 3 Gaius Suetonius Tranquillus, De grammaticis et rhetoribus, ed. Francesco 17 classical ...
... artistic self-reference.” “Early Greek Views of Poets and Poetry,” in CHLC, V.I, 7. 2 See M. I. Finley, “The World of Greece and Rome,” in LWC, 38. 3 Gaius Suetonius Tranquillus, De grammaticis et rhetoribus, ed. Francesco 17 classical ...
Pagina 49
... artistic representations of “unseemly actions,” they must not be allowed to view comedies or scurrilous performances, and must in general be protected from any performance containing “wickedness or hostility” (Pol., VII.xvii). In ...
... artistic representations of “unseemly actions,” they must not be allowed to view comedies or scurrilous performances, and must in general be protected from any performance containing “wickedness or hostility” (Pol., VII.xvii). In ...
Pagina 50
... artistic representation and reality which Plato derided is offered up by Aristotle as a source of pleasure, based upon contrast. This delight in realism is something he will address again in the Poetics. It is clear, then, that for ...
... artistic representation and reality which Plato derided is offered up by Aristotle as a source of pleasure, based upon contrast. This delight in realism is something he will address again in the Poetics. It is clear, then, that for ...
Pagina 51
... artistic imitations differ from one another is in the kinds of objects they address. What is common to all arts, however, is that they imitate men involved in action (Poetics, II). As suggested earlier, the actions Aristotle has in mind ...
... artistic imitations differ from one another is in the kinds of objects they address. What is common to all arts, however, is that they imitate men involved in action (Poetics, II). As suggested earlier, the actions Aristotle has in mind ...
Inhoudsopgave
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7 | |
63 | |
From Plato to the Present Part III Greek and Latin Criticism During the Roman Empire | 103 |
From Plato to the Present Part IV The Medieval Era | 149 |
From Plato to the Present Part V The Early Modern Period to the Enlightenment | 227 |
From Plato to the Present Part VI The Earlier Nineteenth Century and Romanticism | 347 |
From Plato to the Present Part VII The Later Nineteenth Century | 467 |
From Plato to the Present Part VIII The Twentieth Century | 555 |
From Plato to the Present Epilogue | 772 |
From Plato to the Present Selective Bibliography | 777 |
From Plato to the Present Index | 791 |
Overige edities - Alles bekijken
A History of Literary Criticism and Theory: From Plato to the Present M. A. R. Habib Geen voorbeeld beschikbaar - 2005 |
A History of Literary Criticism: From Plato to the Present M. A. R. Habib Geen voorbeeld beschikbaar - 2007 |
A History of Literary Criticism and Theory: From Plato to the Present M. A. R. Habib Geen voorbeeld beschikbaar - 2008 |
Veelvoorkomende woorden en zinsdelen
aesthetic Aristotle Aristotle’s artistic audience authority Barthes beauty bourgeois century Christian Cicero classical Coleridge concept consciousness context cultural Derrida dialectic discourse divine economic effectively elements emotion Enlightenment Enneads essay experience expressed feminist French French Revolution Freud function grammar Greek Hegel Hence Hereafter cited heteroglossia Horace’s human Ibn Rushd ideal ideas ideological imagination imitation individual influence insists intellectual judgment Kant Kant’s knowledge Lacan language linguistic literary criticism literary theory literature logic Longinus man’s Marx Marxist meaning medieval merely metaphor metonymy mind modern moral myth nature Neo-Platonism Nietzsche notion object philosophy Plato pleasure Plotinus poem poet poet’s poetic poetry political principles Quintilian rational reader realism reality realm reason relation Renaissance Revolution rhetoric Romantic Romanticism says sense signifier social Socrates soul speech spirit structure sublime T. S. Eliot theory things thinkers thought tion tradition truth understanding unity universal various women words writers