rable "mute, inglorious Miltons" who suffer equally, but never succeed, yet, perhaps, equally deserve success? for the race is not always to the swift, and accident has as much influence over the destinies of Authors as of other mortals. When was genius ever recognised on its first appearance? What did the Critics say of the first productions of Byron, of Shelley, of Crabbe, of Keats? The "Rejected Addresses," the most successful burlesque ever written, could not find a publisher ! And, to take a more modern instance, what shall we say of the taste and feeling of the reviewers who, not content with cutting up the works of Charlotte Bronté, cast the vilest insinuations on the personal character of the unknown authoress ? Page 32, line 6. Or in soft, sentimental, rhyming prose, This is not a case of " one verse for the other's sake." I consider the nose of beauty a most ill-used and unjustly-snubbed feature. Enamoured Poets give us the most glowing descriptions of their mistresses' "lofty brows," sparkling eyes,' ," "coral lips," and "pearly teeth," but seldom condescend to notice their noses! Yet the nose is rather an important feature of the face, especially in profile. PART II. Puff Principal. O Plant divine, absurdly called a weed, My blessing on thee, leaf, and flower, and seed! Rich and prolific be thy fragrant crop, Sweet as the grape, and genial as the hop! Long mayst thou flourish, 'spite of envy blind, And thanks to fiscal regulations wise, Long mayst thou swell the sum of the excise! Art thou less potent than much-vaunted wine? Shall vulgar beer incite to vulgar lays, And not an Ode be written in thy praise? Accept my homage, and my verse inspire! Sweet comfort, ever ready to assuage The woes of giddy youth and fretful age; Well may all prize thee, for thou art indeed That rare phenomenon, a friend in need! Thee can no frowns of adverse fortune frighten, Ever at hand, our miseries to lighten ; For thy fidelity, no test can try it, Except the inability to buy it, That sad catastrophe which quickly sends Unto the right-about our fastest friends; And when we writhe in evil Fate's stern gripe, Thrice wretched he, who knows not the relief That thou canst minister in time of grief! Thou bringest calm to the distracted breast, Soothest the pains that rack our corp'ral frame, The man of wealth, reclined in cushioned ease, Through amber tube inhales the perfumed breeze; The hardy labʼrer, Nature's common clay, Dhudeen in mouth, goes plodding on his way; The wanderer beneath high Heaven's dome, Sees in his pipe the image of his home; |