Hazlitt, the Mind of a CriticOxford University Press, 1983 - 450 pagina's |
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Pagina 144
... Nature is the soul of art . There is a strength in the imagination that reposes entirely on nature , which nothing else can supply . There is in the old poets and painters a vigour and grasp of mind , a full possession of their subject ...
... Nature is the soul of art . There is a strength in the imagination that reposes entirely on nature , which nothing else can supply . There is in the old poets and painters a vigour and grasp of mind , a full possession of their subject ...
Pagina 206
... Nature is the original , and therefore right : art is the copy , and can but tread lamely in the same steps . Nature penetrates into the parts , and moves the whole mass : it acts with diversity , and in necessary connexion ; for real ...
... Nature is the original , and therefore right : art is the copy , and can but tread lamely in the same steps . Nature penetrates into the parts , and moves the whole mass : it acts with diversity , and in necessary connexion ; for real ...
Pagina 219
... nature . Hazlitt now restates his initial paradox , and to the question , How can one derive pleasure from what just is unpleasant ?, finds a tentative answer in keeping with his chemist - analogy . Experiments , which widen experience ...
... nature . Hazlitt now restates his initial paradox , and to the question , How can one derive pleasure from what just is unpleasant ?, finds a tentative answer in keeping with his chemist - analogy . Experiments , which widen experience ...
Inhoudsopgave
INTRODUCTION | 3 |
IMAGINATION | 24 |
INTEREST HABIT ASSOCIATION | 58 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
abstract action admiration allusion appears argument artist associations beauty Burke Burke's Byron Caliban called character Coleridge Coleridge's common Coriolanus criticism Critique of Judgment death disinterested distinct Edinburgh Review effect egotism egotistical elective affinity Elgin Marbles essay faculty feel French Revolution genius give Godwin habit Hazlitt human Hume Hunt Iago Ibid idea ideal imagination imitation impression interest John Keats judgment Kant Keats Keats's language lecture Leigh Hunt less letter look Lord Byron means ment metaphysical Milton mind moral motives nature never object once painting passage passion philosophy phrase play poem poet poetry politics praise principle prose quoted reader reason romantic seems sense sentence sentiments Shakespeare Shylock sion sort soul speak spirit style sublime suppose sympathy taste things thought tion truth Tucker understanding whole William Gifford William Hazlitt words Wordsworth writing wrote