Dada & Surrealism A&iPhaidon Press, 19 nov 1997 - 448 pagina's This stimulating introductory survey traces the origins and development of these two roughly parallel revolutionary twentieth-century art movements, exploring the full range of artistic production, including film, photography, collage, painting, graphics and object making. Matthew Gale skilfully places the art within a context of ideas ranging from the disillusionment and questioning of accepted values that resulted from the senseless destruction of World War I to the use of the creative forces of the unconscious to undermine convention. |
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Pagina 7
... Heartfield and Hausmann had already produced collages using such contemporary materials as headlines and text from newspapers , but in ways that subverted their original meaning . Photomontage could also serve such political / satirical ...
... Heartfield and Hausmann had already produced collages using such contemporary materials as headlines and text from newspapers , but in ways that subverted their original meaning . Photomontage could also serve such political / satirical ...
Pagina
... Heartfield tethered two sheep to the Brandenburg Gate bearing a poster inscribed , ' We are voting National Socialist ' . Although it is not clear whether Aragon met Heartfield that year , he must have been aware of his photomontages on ...
... Heartfield tethered two sheep to the Brandenburg Gate bearing a poster inscribed , ' We are voting National Socialist ' . Although it is not clear whether Aragon met Heartfield that year , he must have been aware of his photomontages on ...
Pagina 22
... Heartfield , he joined Club Dada ( 1918 ) and the German Communist Party ( 1919 ) . His drawings satirizing the establishment achieved a wide audience . Disillusioned by the Soviet Union in 1924 , his depiction of decadent Berlin was ...
... Heartfield , he joined Club Dada ( 1918 ) and the German Communist Party ( 1919 ) . His drawings satirizing the establishment achieved a wide audience . Disillusioned by the Soviet Union in 1924 , his depiction of decadent Berlin was ...
Inhoudsopgave
A Wave of Dreams Beginnings of Surrealism 19241929 213 | 7 |
The Call of the Night The Surrealist International 19331939 303 Fur Covered | 8 |
Fabulous RaceTrack of Death Exile 19391946 353 h 7 5 cm 3 | 9 |
Copyright | |
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abstract activities André Breton Apollinaire Aragon artists audience automatism avant-garde Ball Barcelona became Beginnings of Surrealism Berlin Dada Buñuel Cabaret Voltaire Centre Georges Pompidou Chirico collaboration collages Cologne colour contemporary contributed Cubism culture Dada & Surrealism Dada in Central Dada in Paris Dada in Zurich Dada's Dali's Éluard established exhibition Exile Expressionist film France Francis Picabia French Gallery German Giacometti Grosz Hans Arp Heartfield Huelsenbeck imagery images included Janco Jean joined Kurt Schwitters La Révolution surréaliste Littérature London Magritte Manifesto Marcel Duchamp Marcel Janco Masson Matta Max Ernst Miró Modern Art movement Museum of Modern Oil on canvas Paalen painter painting Paris Dada Parisian Paul Éluard Péret periodical photographs photomontage Picasso Pierre poems poetry poets political postwar Prague published Raoul Hausmann René revolution Révolution surréaliste Salvador Dalí sexuality soirée Soupault Surrealist International 1933-1939 Surrealist object Tanguy technique texts Tristan Tzara writers York Zurich Dada