Dada & Surrealism A&iPhaidon Press, 19 nov 1997 - 448 pagina's This stimulating introductory survey traces the origins and development of these two roughly parallel revolutionary twentieth-century art movements, exploring the full range of artistic production, including film, photography, collage, painting, graphics and object making. Matthew Gale skilfully places the art within a context of ideas ranging from the disillusionment and questioning of accepted values that resulted from the senseless destruction of World War I to the use of the creative forces of the unconscious to undermine convention. |
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Pagina 11
... audience of 31 March was treated to a further baffling première . Tzara and Huelsenbeck devised various Chants Nègres ( ' Negro songs ' ; 30 ) from genuine African poetry collected in libraries , which they recited in the original ...
... audience of 31 March was treated to a further baffling première . Tzara and Huelsenbeck devised various Chants Nègres ( ' Negro songs ' ; 30 ) from genuine African poetry collected in libraries , which they recited in the original ...
Pagina 3
... audience . Arp's Wolkenpumpe ( Cloud Pump ) poems hardly served to placate them but the audience exploded when Serner addressed them with his back turned for his nihilist manifesto Letzte Lockerung ( Final Dissolution ) ; the stage was ...
... audience . Arp's Wolkenpumpe ( Cloud Pump ) poems hardly served to placate them but the audience exploded when Serner addressed them with his back turned for his nihilist manifesto Letzte Lockerung ( Final Dissolution ) ; the stage was ...
Pagina 9
... audience was passive , perhaps more fearful of nuclear attack than intellectual assault . This audience relied upon assess- ments from those outside the control of the movement , a process begun with Maurice Nadeau's History of ...
... audience was passive , perhaps more fearful of nuclear attack than intellectual assault . This audience relied upon assess- ments from those outside the control of the movement , a process begun with Maurice Nadeau's History of ...
Inhoudsopgave
A Wave of Dreams Beginnings of Surrealism 19241929 213 | 7 |
The Call of the Night The Surrealist International 19331939 303 Fur Covered | 8 |
Fabulous RaceTrack of Death Exile 19391946 353 h 7 5 cm 3 | 9 |
Copyright | |
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abstract activities André Breton Apollinaire Aragon artists audience automatism avant-garde Ball Barcelona became Beginnings of Surrealism Berlin Dada Buñuel Cabaret Voltaire Centre Georges Pompidou Chirico collaboration collages Cologne colour contemporary contributed Cubism culture Dada & Surrealism Dada in Central Dada in Paris Dada in Zurich Dada's Dali's Éluard established exhibition Exile Expressionist film France Francis Picabia French Gallery German Giacometti Grosz Hans Arp Heartfield Huelsenbeck imagery images included Janco Jean joined Kurt Schwitters La Révolution surréaliste Littérature London Magritte Manifesto Marcel Duchamp Marcel Janco Masson Matta Max Ernst Miró Modern Art movement Museum of Modern Oil on canvas Paalen painter painting Paris Dada Parisian Paul Éluard Péret periodical photographs photomontage Picasso Pierre poems poetry poets political postwar Prague published Raoul Hausmann René revolution Révolution surréaliste Salvador Dalí sexuality soirée Soupault Surrealist International 1933-1939 Surrealist object Tanguy technique texts Tristan Tzara writers York Zurich Dada