The Act of Musical Composition: Studies in the Creative Process

Voorkant
Dr Dave Collins
Ashgate Publishing, Ltd., 28 dec 2012 - 308 pagina's
The study of musical composition has been marked by a didactic, technique-based approach, focusing on the understanding of musical language and grammar -harmony, counterpoint, orchestration and arrangement - or on generic and stylistic categories. In the field of the psychology of music, the study of musical composition, even in the twenty-first century, remains a poor cousin to the literature which relates to musical perception, music performance, musical preferences, musical memory and so on. Our understanding of the compositional process has, in the main, been informed by anecdotal after-the-event accounts or post hoc analyses of composition. The Act of Musical Composition: Studies in the Creative Process presents the first coherent exploration around this unique aspect of human creative activity. The central threads, or key themes - compositional process, creative thinking and problem-solving - are integrated by the combination of theoretical understandings of creativity with innovative empirical work.
 

Inhoudsopgave

List of Figures
Series Editors Preface
Empirical and Historical
Process Selfevaluation and Lifespan
Freya Bailes andLaura
The Practice of Diverse Compositional
Constraint Collaboration and Creativity
The Influence oftheExtramusical onthe
Improvisation asRealtime Composition Simon Roseand Raymond MacDonald
Defining Inspiration? Modelling theNon
Geraint A Wiggins 11 Rules Tactics and Strategies for Music Composing
Index
Copyright

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