Nothing If Not Critical: Selected Essays on Art and ArtistsA.A. Knopf, 1990 - 429 pagina's The most controversial art critic in America and author of the bestselling The Fatal Shore looks with love and loathing, wit and authority, at art, artists, and the art world-from sixteenth-century Rome to 1980s SoHo. -- Back cover. |
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Pagina 204
... Cubist paintings . Rivera became a Cubist after 1913 , but he was 204 / AMERICANS.
... Cubist paintings . Rivera became a Cubist after 1913 , but he was 204 / AMERICANS.
Pagina 205
... Cubist hide - and- seek and a real guerrilla's elusiveness got Rivera thinking about camou- flage and disappearance . But by 1920 he had also been thinking long and hard about public art , which Cubism never pretended to be . He was ...
... Cubist hide - and- seek and a real guerrilla's elusiveness got Rivera thinking about camou- flage and disappearance . But by 1920 he had also been thinking long and hard about public art , which Cubism never pretended to be . He was ...
Pagina 273
... Cubist work of Picasso and Juan Gris , or Carlo Carrà's Red Horseman ) is to see a very informed mind at work , particularly at obscure levels of parody . How , for instance , does one render the odd ambiguities and shifts of Cubist or ...
... Cubist work of Picasso and Juan Gris , or Carlo Carrà's Red Horseman ) is to see a very informed mind at work , particularly at obscure levels of parody . How , for instance , does one render the odd ambiguities and shifts of Cubist or ...
Inhoudsopgave
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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Nothing If Not Critical: Selected Essays on Art and Artists Robert Hughes Gedeeltelijke weergave - 1992 |
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