Nothing If Not Critical: Selected Essays on Art and ArtistsA.A. Knopf, 1990 - 429 pagina's The most controversial art critic in America and author of the bestselling The Fatal Shore looks with love and loathing, wit and authority, at art, artists, and the art world-from sixteenth-century Rome to 1980s SoHo. -- Back cover. |
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Pagina 24
... aesthetic imperium . When Italian artists began to take a systematic interest in the relics of antiquity , the classical past was seen to contain whole systems of norms and forms for the present , of an authority not apparent in the ...
... aesthetic imperium . When Italian artists began to take a systematic interest in the relics of antiquity , the classical past was seen to contain whole systems of norms and forms for the present , of an authority not apparent in the ...
Pagina 199
... aesthetic painting of twenties and thirties America was mostly feeble , decent and derivative — an appendage to a larger cultural framework . No American sculptor who tried to make metaphors of technology , not even Calder , came up ...
... aesthetic painting of twenties and thirties America was mostly feeble , decent and derivative — an appendage to a larger cultural framework . No American sculptor who tried to make metaphors of technology , not even Calder , came up ...
Pagina 215
... aesthetic and his refusal to paint " social " subjects , whether of the left , as Ben Shahn , or of the right , as Thomas Hart Benton , made him an outsider in the art world . Later he would be considered rather a fuddy - duddy compared ...
... aesthetic and his refusal to paint " social " subjects , whether of the left , as Ben Shahn , or of the right , as Thomas Hart Benton , made him an outsider in the art world . Later he would be considered rather a fuddy - duddy compared ...
Inhoudsopgave
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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Nothing If Not Critical: Selected Essays on Art and Artists Robert Hughes Gedeeltelijke weergave - 1992 |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface Susan Rothenberg things tion Titian turned visual wanted Warhol watercolors York Zurbarán