Why does the rose, with drooping head, Why does the swan's melodious song Why does the dolphin change its hues, To meet the morn with beams so bright? Why does the man we saw to-day, To-morrow fade like some sweet flow'r? THE MIDNIGHT WIND. I'VE listen'd to the midnight wind, And still methought the hollow sound Which, melting, swept along, The voice of other days had found, I've listen'd to the midnight wind, And thought of friends untrue- I've listen'd to the midnight wind And heard the sick man's sigh; I've listen'd to the midnight wind, Nor could the heart such music find The melting voice of one we loved, I've listen'd to the midnight wind, And felt those movings of the mind The ticking clock, which told the hour, And these winds seem'd an unseen pow'r, I've listen'd to the midnight wind, Of one whose heart was true and kind, Oh! there was something in the sound- Which led the thoughts to that dark ground I've listen'd to the midnight wind, And courted sleep in vain, While thoughts like these have oft combined To rack the wearied brain. And even when slumber, soft and deep, Has seen the eyelid close, The restless soul, which cannot sleep, Has stray'd till morning rose. ROBERT DAVIDSON. ROBERT DAVIDSON was born in the parish of Morebattle, Roxburghshire, in 1779. The son of humble parents, he was sent to tend cattle in his tenth year. He had received at the parish school a limited education; and he devoted his leisure time on the hills to miscellaneous reading. Learning scraps of old ballads from the cottage matrons, as they sung them at their distaffs, he early began to essay imitations of these olden ditties. As a farm-servant and an agricultural labourer, he continued through life to seek repose from toil in the perusal of poetry and the composition of verses. "My simple muse," he afterwards wrote, "oft visited me at the plough, and made the labour to seem lighter and the day shorter." In 1811, and in 1824, he published small collections of verses. At the recommendation of some influential friends, he published, in 1848, a compact little volume of his best pieces, under the title, "Leaves from a Peasant's Cottage-Drawer;" and to which was prefixed a well-written autobiographical sketch. He was often oppressed by poverty; and, latterly, was the recipient of parochial relief. He died in the parish of Hounam, on the 6th April 1855; and his remains rest in the churchyard of his native parish. Many of his poems are powerful, both in expression and sentiment; and several of his songs are worthy of a place in the national minstrelsy. In private life he was sober, prudent, and industrious. FAREWELL TO CALEDONIA. ADIEU! a lang and last adieu, My native Caledonia! For while your shores were in my view, I think how happy I could be, Still mem'ry turns to where I spent But still they want the charm that ties My breast had early learn'd to glow At name of Caledonia; Though torn an' toss'd wi' many a foe, She never bow'd to ony, O! |