Old Formalism: Character in Contemporary American Poetry (p)University of Arkansas Press, 1999 - 144 pagina's |
Inhoudsopgave
1 | |
13 | |
Character Weakness | 21 |
Sex and Poetry | 31 |
Rhetoricity | 39 |
The Public Nature of EndRhymed Poems | 49 |
The Old Formalism | 61 |
PERSONAE | 73 |
The Chekhov of American Poetry | 87 |
The Permission for Emotional Honesty | 93 |
The Poet as Clown | 103 |
Genius in Camouflage | 117 |
The Moral Urgency of Mary Kinzies Ghost Ship | 125 |
Hilda Raz and the Music of Pain | 131 |
Conclusion | 137 |
Index | 141 |
Overige edities - Alles bekijken
Old Formalism: Character in Contemporary American Poetry (p) Jonathan Holden Gedeeltelijke weergave - 1999 |
The Old Formalism: Character in Contemporary American Poetry Jonathan Holden Gedeeltelijke weergave - 1999 |
Veelvoorkomende woorden en zinsdelen
accentual-syllabic prosody accentual-syllabic verse aesthetic Altieri's Auden audience authenticity beautiful begins called character Chekhov cold confessional Contemporary American Poetry conventional culture dark decorum describes dramatic lyric emotional End-Rhymed Poems epiphany essay ethos example eyes famous feel formalist free verse hand Hilda Raz Holden Hugo's imagine James Hillman joke kind Kinzie's Kloefkorn's landscape language late Leonard Nathan lives look lovers Marilyn Hacker Mary Kinzie metaphor mind moral Nathan's natural night Old Formalism passage Paul Zimmer perhaps poem's poet poet's poetic Poetry of Sensibility poetry reading prose prosody reader reminiscent Reprinted by permission rhetoric rhyme Richard Hugo Ryan Ryan's Satan sense sexual slap sound stand-up stand-up comedy story style syllable talk Ted Kooser things tion touch town traditional prosodies trimeter turn vers libre vision voice watch West Marginal William Kloefkorn William Stafford word writing wrote